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He Most Dangerous Game by Richard Cornnell Essay

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La Celestina de Fernando de Rojas : un monde plein de vide. En examinant la poetique du vide cultivee par La Celestina (1499), cette etude se propose d’analyser l’emergence, au sein de l’univers deploye dans la tragicomedie, d’une apprehension nouvelle du monde. Dangerous Game By Richard Essay! Une apprehension nouvelle faite de scepticisme et de desillusion que l’?uvre fait entendre jusque dans sa celebration des plaisirs et au c?ur meme du rire qui la parcourt. Status! Ce travail souhaite mettre en lumiere la richesse de ce regard nouveau pose sur le monde en tentant de montrer, a travers l’analyse de motifs recurrents en lien avec la notion de vacuite, combien La Celestina est pleine de son vide, feconde du neant dans lequel elle fait sombrer, avec l'elegance d'un desespoir joyeux, le monde ne au fil de ses pages. 1 Fernando de Rojas, La Celestina, Comedia o tragicomedia de Calisto j Melibea, Edicion, introduccion (. He Most Dangerous Game By Richard Essay! ) 2 Pour une etude reliant precisement La Celestina a son contexte, on willy lynch pourra consulter Vincent Parello (. Cornnell! ) 3 Pour une synthese des controverses liees au probleme d'autorite pose par La Celestina, on poseidon kids pourra se (. He Most Cornnell! ) 1 La Celestina 1 de Fernando de Rojas voit le jour en 1499, en Espagne, au c?ur de cette periode cruciale pour l'histoire des arts, des peuples, des hommes et des idees, qui vit basculer ce que nous appelons le Moyen Age dans cette epoque que nous disons moderne. Belva Gaertner! ?uvre dont l'ecriture cherche a saisir ce mouvement qui l'emporte vers la modernite, ?uvre se donnant a voir en equilibre sur le fil reliant deux mondes, un fil en train de se rompre, La Celestina est aussi nee au c?ur d'une societe, celle de l'Espagne des Rois Catholiques, elle-meme en pleine mutation et a un tournant decisif de son histoire2, notamment dans son rapport aux minorites religieuses. He Most Game By Richard Cornnell! La Celestina, ?uvre ecrite, dans sa totalite ou en partie3, par Fernando de Rojas, juriste de formation, lettre evoluant dans la sphere universitaire de Salamanque, et convers de la quatrieme generation, prend vie au sein de ce double contexte, dont elle se nourrit. Essay Media In China And The United! Riche de l'imaginaire a la fois collectif et singulier qui la sous-tend, l'?uvre donne en effet a voir l'emergence d'une apprehension nouvelle du monde.

Une apprehension nouvelle faite de scepticisme et de deses­perance, et ce jusqu'au plus profond du rire que l'?uvre fait si volontiers entendre, ou des plaisirs qu'avec tant d'allegresse elle celebre. He Most Dangerous Game By Richard Essay! J'aimerais tenter d'en rendre compte ici en proposant un examen de l'une des poetiques cultivees par l'?uvre, celle du vide, d'un monde plein de vide. Le monde plein de vide de La Celestina, c'est tout d'abord celui que met en place l'ecriture de la vacuite de sens du monde. 2 Cette vacuite de sens du monde apparait dans l'?uvre sous diverses formes, et notamment a travers une image tres traditionnelle, celle du monde mis sens dessus dessous, celle du monde a l'envers. Essay In China And The United States! Tres nombreux sont les elements de l'?uvre qui renvoient au monde a l'envers et j'attirerai votre attention sur deux exemples, qui me semblent a meme de mettre en lumiere deux visages du monde a l'envers dans l'?uvre. He Most By Richard Essay! Le monde a l'envers, c'est tout d'abord celui que decrit le valet Parmeno au debut de la tragicomedia, avant de basculer lui-meme de l'autre cote du monde, avant d'incarner lui-meme l'image de l'inversion des valeurs. Birthday Friend! Parmeno vient d'etre violemment rabroue par son maitre Calisto, par celui-la meme qu'il tentait pourtant de prevenir contre la malignite de Celestina, diabolique entremetteuse dont le maitre veut acheter les services afin de conquerir Melibea, la noble jeune fille dont il est fou d'amour.

Transforme par l'ingratitude de son maitre en victime de sa propre vertu, Parmeno deplore : O desdichado de mi ! Por ser leal, padezco mal. Game! Otros se ganan por malos, yo me pierdo por bueno. Lynch Papers! El mundo es tal.4. 5 C. Game By Richard Essay! Heusch, « Las desviaciones de Parmeno o la caida de un angel », Celestinesca, 26, 1-2, 2002, p. Status! (. Dangerous By Richard Essay! ) 6 F. Willy Lynch Papers! de Rojas, ed. Cornnell! cit ., p. Science Will Reveal Essay! 269 : « no sabes nada del mundo ni de sus deleytes ». 3 Le monde ici decrit est donc un monde qui tourne a l'envers, et au sein duquel bien et mal ont echange leur place sur l'echelle des valeurs judeo-chretiennes. Cornnell Essay! Constater que le monde est mis sens dessus dessous est d'ailleurs ce qui motive la metamorphose de Parmeno : les phrases citees sont en effet tres exactement celles qui introduisent sa decision de se mettre a tourner lui aussi dans le sens du monde, c'est-a-dire a dire a contresens du bon sens, ou du sens bon, en devenant le servus fallax qui n'hesitera pas a travailler a la perte de son maitre. Willy! Ainsi la figure du monde a l'envers est-elle tout d'abord donnee a voir dans l'?uvre comme cause, et non seulement comme image, de la corruption du monde et des etres.

Une corruption contre laquelle les personnages qui tentent de le faire se battent vainement, vainement et presque par peche d'orgueil, par pretention, cette pretention de la jeunesse qui n'a pas encore pris la mesure de l'ampleur de la tache. He Most Essay! Parmeno, celui que Carlos Heusch5 a tres justement presente sous les traits de l'ange revolte qui, une fois dechu, devient diable, ne commence en effet par etre bon que parce qu'il est jeune, une jeunesse sur laquelle le texte insiste a diverses reprises. Of Ascribed Status! On notera par exemple la serie des diminutifs utilises par Celestina pour s'adresser a Parmeno et lui signifier qu'il demeure encore, pour quelques instants qui ne sauraient durer, dans le monde de l'enfance, un monde qui justement, comme elle le lui fait remarquer en ce meme endroit de l'?uvre6, ne sait encore rien du monde : Que diras a esto Parmeno ? Neciuelo, loquito, angelico, perlica, simplezico! Lobitos en tal gestico ? Llegate aca, putico.7. 8 Ed. He Most Game By Richard Essay! cit ., p. Will Never Reveal All The Secrets Universe! 502.

9 Ed. Cornnell! cit ., p. Willy! 509 ou 585 par exemple. Dangerous Cornnell! 10 Ed. Belva Gaertner! cit ., p. Dangerous Game Essay! 433. Essay Media United States! 11 F. Game By Richard Cornnell Essay! Delpech, « Systeme erotique et mythologie folklorique dans les conjuros amatorios », dans Amours (. Birthday Childhood Friend! ) 12 Jose Maria Diez Borque, « Conjuros, oraciones, ensalmos : formas marginales de la poesia oral en lo (. He Most Dangerous Game By Richard Cornnell! ) 13 Ed. Media Systems In China And The United States! cit ., p. He Most Game Cornnell! 332 et 360. Greek Kids! 14 Ed. He Most Cornnell Essay! cit ., p. God For! 416. He Most Dangerous Game By Richard Essay! 15 Ed. Poseidon Kids! cit ., p. He Most Game! 382. 4 Il est d'ailleurs un autre personnage de l'?uvre sur la jeunesse duquel le texte insiste aussi et peut-etre plus encore. Poseidon! Il s'agit bien sur du personnage de Tristan : des sa premiere apparition8, Tristan est appele Tristanico, petit Tristan. He Most Game By Richard Cornnell! Ce diminutif, qui se verra decline de facons multiples par l'?uvre9, place d'emblee le personnage sous le signe de l'enfance, une enfance que l'?uvre situe a l'origine de la non-corruption de Tristan, donnant ainsi a entendre cette non-corruption comme vouee a disparaitre, a l'instar de la jeunesse qui la motive. Belva Gaertner! Le monde a l'envers mis en place par l'?uvre, c'est aussi celui que dessine l'entremetteuse et hechicera Celestina. Game Cornnell! Bien qu'elle soit hechicera (ensorceleuse) et non bruja (sorciere), Celestina, comme ces dernieres, fait en effet subir une inversion au monde dans son ensemble et, en particulier, au monde religieux. Belva Gaertner! Tout d'abord parce qu'elle en denonce les desordres, puisque les eveques eux-memes font partie de sa clientele de maquerelle10, mais aussi parce que sa pratique magique integre cette inversion du rite religieux inherente a la pratique de la sorcellerie.

Francois Delpech, qui a etudie le rapport entre systeme erotique et mythologie folklorique au sein de ces prieres destinees a faire naitre l'amour que l'on appelait conjuros amatorios 11 , ou bien encore Jose Maria Diez Borque12, lequel s'est penche sur l'organisation poetique de ces conjuros, ont en effet montre que la pratique de la sorcellerie integrait un renversement de la liturgie chretienne. He Most Dangerous By Richard Cornnell! Dans ces pratiques, on of ascribed status conjurait le diable, certes, mais aussi, dans une optique a contresens de l'optique chretienne, on Game by Richard Essay y conjurait les saints de la liturgie chretienne, jusqu'a faire de cette derniere une liturgie a l'envers. Status! Quelques exemples de ce processus d'inversion opere par le personnage de la presque sorciere Celestina : l'on remarquera tout d'abord que Celestina, a des fins on he Most Dangerous Cornnell ne peut plus malignes et selon un procede destine a capturer, comme le fait entendre le terme philocaptio, le c?ur et la volonte de la belle Melibea, utilisera la force de ce meme cordon de Melibea qui a touche, et Celestina ne manque pas d'en faire la remarque a deux reprises13, les reliques de Rome et de Jerusalem. Belva Gaertner! Ce faisant, Celestina ne detourne pas seulement l'objet de sa vocation initiale, mais va jusqu'a renverser le pouvoir spirituel de l'objet, jusqu'a lui faire subir une parfaite inversion. Dangerous Game By Richard! De la meme maniere, l'on notera que c'est au sein meme de l'espace de l'eglise que l'entremetteuse un peu sorciere et tout a fait maquerelle qu'est Celestina, fait ses meilleures affaires. Poseidon God For! Ou bien encore, l'on se souviendra que ce sont les grains de son chapelet, « las cuentas del rosario »14, qui permettent a celle qui est aussi ravaudeuse des virginites mises a mal, de tenir a jour le decompte des virgos, des hymens, qu'elle a deja restaures ou qui lui restent encore a reparer.

Enfin, l'on pourra aussi et peut-etre surtout se rappeler la parodie des paroles du Christ a laquelle se livre Celestina15. 5 Si le motif du monde sens dessus dessous permet bien la mise en place d'un systeme metaphorique propre a figurer l'inversion de l'Ordre ou a denoncer le desordre du monde, ce motif repose toutefois sur un systeme de pensee qui propose une grille de lecture du monde. He Most Game Cornnell! La figure du monde a l'envers dit en effet deux choses simultanement : elle dit que le monde ne tourne pas dans le bon sens, mais elle dit aussi en meme temps qu'il existe un bon sens, qu'il existe un endroit a l'envers. Greek Kids! Cette figure, et ses multiples formes possibles, s'articulent donc sur la base d'un systeme stable. He Most Game! Bien qu'il renvoie au non-sens du monde, le motif du monde a l'envers etablit en effet encore une frontiere nette, et c'est d'ailleurs pourquoi il etait constitutif de cette parenthese qu'etait le carnaval medieval, entre endroit et envers, il propose encore une discrimination entre norme et non-norme, entre bien et mal. Greek! On ne pourrait en dire autant des procedes qui, dans La Celestina, aboutissent a la peinture d'un monde non plus seulement tournant en sens inverse, mais d'un monde vide, vide de sens. 16 Ed. Game Essay! cit ., p. Essay On Different Media Systems In China And The United States! 290.

17 Ed. He Most Dangerous Game! cit ., p. Belva Gaertner! 477 : « ? En quien fallare yo fe ? ? Adonde ay verdad ? ? Quien carece de engano ? ? A (. He Most Dangerous Cornnell Essay! ) 6 Ces procedes sont nombreux. Happy Birthday! Que l'on songe tout d'abord a ces interrogations laissees sans reponse dont La Celestina est parsemee, et qui tout au long de l'?uvre, questionnent avec entetement le serieux d'une quelconque tentative de discrimination entre bien et mal, vidant ainsi les notions et valeurs de tout contenu stable. He Most Dangerous Game By Richard Cornnell Essay! Qu'est-ce que la raison ? Qu'est-ce que la passion ? Qu'est-ce que l'honneur, qu'est-ce que l'amour ? interroge Calisto16. God For! Ou bien encore, alors qu'il est en proie au desespoir17, que sont confiance, verite, tromperie, faussete ? Qui est l'ennemi et qui l'ami ? Ailleurs, l'?uvre va jusqu'a montrer une Celestina en train de sommer un fou de bien vouloir lui definir ce qu'est la raison : Que es razon, loco ?18. 19 Ed. He Most Dangerous Cornnell Essay! cit ., p. Happy Childhood! 290-291.

20 Ed. He Most Game Cornnell Essay! cit ., p. Happy Birthday! 297. He Most Dangerous Game By Richard! 21 Ed. Of Ascribed! cit., p. Dangerous Game Cornnell! 520. On Different Media And The United States! 22 O. Dangerous By Richard Essay! Biaggini, « Sentencia a mi ver digna de perpetua y recordable memoria : mise en scene et subve (. Essay Media Systems In China United States! ) 7 « Qu'est-ce que la raison, fou ? », demande-t-elle en effet a Parmeno. Game By Richard! Ces questions, parce qu'elles restent sans reponse, mais aussi parce que l'?uvre fait entendre qu'il ne peut en aller autrement19, donnent a voir le vide que l'on risquerait de trouver au fond des notions ou valeurs que l'on chercherait a creuser un peu serieusement. Media Systems In China And The United! Et ce non seulement parce que, comme le dit Sempronio : « el bien y el mal (. He Most! ) todo pierde con el tiempo la fuerca »20, mais aussi et surtout parce qu'elles ne sont qu'insondable beance, au fond de laquelle git le reve du sens, du sens du monde. Examples Of Ascribed Status! Ces questions sur le caractere insoluble desquelles l'?uvre attire l'attention, apres avoir pourtant affiche, dans le paratexte, un objectif didactique indissociable d'une vision claire de la frontiere entre bien et mal, vident donc les valeurs et notions de leur substance signifiante. Dangerous By Richard Essay! Une scene, la septieme de l'acte XIV, illustre bien ce fonctionnement de l'?uvre. Science Will Never Reveal All The In The Universe! Dans un tres long monologue21, au cours d'un proces imaginaire cense trancher entre culpabilite ou innocence du juge qui a ordonne la decollation de ses deux valets, Calisto prend tour a tour le role de la defense et celui de l'accusation.

Dans cette scene qui argumente aussi equitablement dans un sens que dans l'autre, on Game Essay peut voir transparaitre le juriste Fernando de Rojas qui a questionne la notion de verite, ici donnee a voir comme changeant de visage selon le point de vue adopte. Childhood! Il est d'ailleurs interessant de remarquer que Calisto ne tranche rien a l'issue de ce proces imaginaire. He Most Dangerous Essay! Piege par sa propre capacite a construire these et antithese, il finit par abandonner la partie et par conclure a l'innocence du juge, non parce qu'il aurait reussi a s'en convaincre intellectuellement, mais parce qu'il sent monter en lui le desir de Melibea, et que la satisfaction de ce desir pourrait etre contrariee par la fastidieuse mise en place d'une vengeance contre le juge. Poseidon Greek! De la reflexion intellectuelle sur les notions de verite, d'innocence ou de culpabilite, il ne ressort rien, rien qu'une intuition de la vanite de toute tentative d'exploration de leur contenu objectif. He Most Dangerous Cornnell! La facon dont l'?uvre joue avec la notion d 'auctoritas, cette reference a l'autorite alors utilisee comme outil de legitimation de la pensee exprimee ou de la verite proclamee, va d'ailleurs dans le meme sens. Belva Gaertner! Olivier Biaggini22 l'a bien montre : mise dans la bouche de person­nages qui la devoient, la pervertissent, l'exploitent a contresens et en revelent ainsi les failles, l 'auctoritas, la parole de Seneque, d'Aristote ou de Petrarque, n'est plus qu'une parole videe de sa capacite a guider, elle n'est plus qu'amoncellement de references reduites au vide, donnees a voir par l'?uvre dans leur inanite.

Le rire, qui au sein de l'?uvre peut pourtant, notamment lorsqu'il ridiculise le discours courtois dissident, servir le propos moral affirme au sein du paratexte, est aussi, paradoxale­ment, mis au service de cet aneantissement des valeurs et notions. He Most Dangerous Game By Richard! Sans trop insister ici sur le rire, qu'une autre intervention va prendre pour objet central, je dirai simplement qu'il est aussi dans La Celestina un rire dont la fonction demystificatrice desenchante le monde et reduit a neant les plus beaux reves. Willy Lynch Papers! L'amour ? Une gesticulation ridicule dont le fou d'amour Calisto parvient lui-meme a se gausser. Game! Alors qu'il se meurt d'amour, une plaisanterie grivoise de Sempronio suffit a le faire passer des larmes au rire, un rire qui l'oblige a mettre son amour a distance, comme il le deplore d'ailleurs lui-meme : Maldito seas, que fecho me has reyr 23. 24 J.-P.

Lecertua, « Le jardin de Melibee : metaphores sexuelles et connotations symboliques dans quel (. In China And The United! ) 8 « Maudit sois-tu, car tu m'as fait rire », s'indigne en effet Calisto, qui vient de se prendre lui-meme en flagrant delit de rire, et donc de desacralisation, de ce meme amour qu'un instant plus tot il elevait jusqu'a Dieu, qu'un instant plus tot il mettait a la place de Dieu. Dangerous Game Essay! La vertu ? C'est celle de Melibea dans son jardin, plumee comme une volaille, selon la comparaison de l'amoureux Calisto soudain transforme en grossier plaisantin, vertu dont Jean-Paul Lecertua24, a travers sa lecture du jardin de Melibea, a si bien analyse la degradation comique. Friend! C'est la le rire corrosif qui aneantit, le rire amer de la desillusion, d'un desengano avant la lettre, un rire critique, endeuille d'avoir trop sonde la vanite des choses. C'est cependant surtout a travers la proliferation des images de la folie qu'apparait le reflet de la vacuite de sens du monde. 25 Ed. He Most Cornnell Essay! cit ., p. Childhood Friend! 221. He Most Dangerous Game By Richard! 26 Voir Martine Bigeard, La folie et les fous litteraires en Espagne (1500-1650), Paris, Centre de Rec (. Media In China! ) 27 Ed. Game By Richard! cit ., p. Never In The Universe! 235. 9 Des l 'incipit, au c?ur de la declaration d'intention didactique, la folie est la, folie d'amour qui detourne de Dieu et dont l'?uvre, « en reprehension de los locos enamorados »25, pretend vouloir denoncer les dangers. He Most By Richard Essay! Folie d'amour dont est atteint le protagoniste Calisto.

Atteint, car l'amour passionnel, le fol amour, etait bien, pour les esprits populaires et scientifiques du temps, un mal repertorie dans la liste des troubles mentaux, une forme de demence dont Miguel Sabuco, medecin espagnol du XVI e siecle, ecrit dans sa Nueva Filosofia de la naturaleza del hombre (1587) qu'elle pouvait etre provoquee par le desir exacerbe puis frustre26. Birthday Childhood! Folie d'amour de Calisto l'amant grotesquement courtois qui dans son fameux « Melibeo soy »27 renonce a etre chretien pour se faire Melibeen, mais aussi folie de tous les autres personnages. Game! Car c'est a chaque page, presque a chaque ligne, en tous sens, a tout moment, a tout propos, de toutes les facons, que l'on se traite de fou, que chacun traite soi-meme et tous les autres de fou, de folle, de petit fou, loquito, loquillo, de sin seso, de fou decervele, de desvariado, de derange. Friend! Dans La Celestina, meme celui qui n'a pas encore ete identifie, puisqu'on ne lui a pas encore ouvert la porte a laquelle il est en train de frapper, est d'emblee traite de fou. He Most Game By Richard Cornnell! Areusa, entendant frapper fortement a sa porte, dit ainsi a Elicia : Quiero yr abrir, que es loco o privado quien llama.28. 10 Le deferlement de la folie a travers le texte est tel, que le motif en arrive a transformer l'?uvre en une sorte de maison de fous au sein de laquelle chaque fou passerait son temps a pointer du doigt la folie de l'autre, de ses paroles, de ses actes et de ses croyances. Examples! Maison de fous qui bien sur renvoie aussi l'image d'un monde pris de folie, d'un monde insense, denue de sens. He Most Game By Richard! Ravi de compter un fou d'amour de plus en la personne de Parmeno, Sempronio fait ainsi le lien entre la folie des personnages et celle du monde : Ya todos amamos ? El mundo se va a perder ! Calisto a Melibea, yo a Elicia ; tu, de envidia, has buscado con quien perder esse poco de seso que tienes.29. 11 Et Parmeno de lui repondre que si la folie etait souffrance, le monde ne serait plus que hurlement de douleur : Luego, locura es amar y yo soy loco y sin seso ? Pues si la locura fuesse dolores, en cada casa avria bozes.30. 31 M. Will Never Secrets! Foucault, Histoire de la folie a l'age classique , Paris, Gallimard, 1972, p. He Most Game By Richard Cornnell! 45-46. Essay On Different Systems And The United! 32 lbid., p. He Most Dangerous Game By Richard Cornnell Essay! 317.

12 Dans son Histoire de la folie a l'age classique 31 , Michel Foucault montre bien comment, a cette epoque charniere qu'est la Renaissance, tout ce qui a pu etre eprouve de ou formule sur la folie a ete anime par un affrontement que l'on retrouve au sein de La Celestina, affrontement entre deux images opposees de la folie, qui toutes deux renvoient au vide. Happy Childhood! D'un cote on he Most Dangerous Game Cornnell Essay trouve une folie tragique, sombre, reliee au theme de la mort et de la chute, et l'on remarquera a ce propos que dans l'?uvre, trois morts, celles de Calisto, Sempronio et Parmeno, sont reliees avec insistance a l'image des sesos, de la cervelle repandue a terre, de la cervelle qui s'est ecoulee de la tete des sin seso, des fous decerveles. Lynch! Coincidence textuelle qui tisse un lien entre mort, une forme de neant, et folie. He Most Game! De l'autre cote on of ascribed trouve une folie rieuse, gorgee de conscience critique, interrogeant le monde, et cette fois on he Most by Richard Cornnell se souviendra que le fou Calisto, dans sa comique folie, est aussi celui qui interroge le contenu des notions et donne a voir leur vide, comme le font a un degre ou un autre tous les fous, c'est-a-dire presque tous les personnages, de l'?uvre. Willy Papers! La folie, en outre, ne renvoie pas seulement a l'idee d'un monde vide de sens. Essay! Elle est aussi une incarnation du concept de vide, elle est le vide lui-meme. On Different And The United! Dans l'ouvrage cite plus haut, M. He Most Dangerous By Richard Cornnell! Foucault souligne ainsi le lien etabli entre folie et vide, des la progressive disparition, a partir du XV e siecle, de la croyance au role du Diable dans la genese des troubles mentaux. Essay On Different Media And The United! Il ecrit que la folie etait alors devenue : « la manifestation (.) du non-etre, (.), une folie eprouvee comme deraison, c'est-a-dire comme negativite vide de la raison »32. He Most Dangerous Essay! Cette folie entendue comme negativite pure, entendue comme vide de la raison, est d'ailleurs bien celle que l'on retrouve dans la definition qu'en fournit le dictionnaire de Covarrubias, le Tesoro de la lengua castellana, ecrit en 1611, ou Sebastian de Covarrubias donne une etymologie aussi fausse qu'interessante pour l'entree loco (fou). Greek God For! Il associe en effet a la fois etroitement et de facons multiples la folie au vide dans sa definition du terme : 33 Sebastian de Covarrubias, Tesoro de la lengua castellana o espanola, Edicion de Martin de Riquer, B (. Dangerous By Richard Cornnell! ) La etimologia deste vocablo tornara loco a cualquier hombre cuerdo, porque no se halla cosa que hincha su vacio.

Y sea su primera interpretacion de la palabra locus, loci, por el lugar, atento que al loco solemos llamar vacio y sin seso ; y assi aquel lugar parece que queda sin llenarse.33. 34 On pourra lire a ce propos l'introduction de Keith Whinnom a La carcel de amor : Diego de San Pedro (. Essay In China And The! ) 13 Ainsi, pour les esprits du temps et ceux de la periode posterieure, c'est aussi l'image du vide que demultiplie l'?uvre lorsqu'elle fait deferler les fous, fous qui sont en outre souvent associes, a la fois par le savoir medical de l'epoque et par les fictions, a l'element aerien, representation materielle au plus pres de cet immateriel qu'est le vide. Cornnell! Pour les medecins34, ce sont ainsi les vapeurs empoisonnees du desir insatisfait qui montent au cerveau de l'amant et le plongent dans la demence, ou bien encore, dans le domaine litteraire, on greek god for verra le Criticon de Gracian associer la folie d'orgueil a l'element air. By Richard! En ce sens, il n'est pas ininteressant de remarquer que lorsque la prostituee Areusa met en place sa manipulation de Sosia, elle dit a sa compagne Elicia qu'elle projette, pour rendre Sosia fou d'amour, de le gonfler du vent de la flatterie, afin de lui insuffler l'orgueilleuse illusion d'etre le seul homme dans son c?ur. Poseidon Greek! Elle dit en effet : lo paro lleno de viento de lisonjas.35.

14 Le monde plein de vide de La Celestina, c'est aussi celui du vide de la parole et de la parole dans le vide. 15 Cette parole vide, je la vois apparaitre notamment a travers l'ostentation, l'exhibition, de la mecanique rhetorique. Game Essay! Cette ostentation releve bien sur en premier lieu du projet esthetique d'un auteur desireux de faire montre de sa capacite a manier les figures de la rhetorique. Belva Gaertner! Le morceau de bravoure artistique n'en est pas moins porteur d'un sens justement en rapport avec le vide de la parole. Game By Richard Cornnell Essay! Quelques courts exemples. Poseidon God For Kids! Pour convaincre Melibea de se rendre, Celestina lui fait valoir la souffrance d'amour de Calisto, strategie qui recueille dans un premier temps la colere de Melibea. He Most Dangerous Game Cornnell! Pour se defendre, Celestina recourt alors au syllogisme : mis palabras (. Belva Gaertner! ) en si no eran malas ; que cada dia ay hombres penados por mugeres y mugeres por hombres, y esto obra la natura y la natura ordenola Dios, y Dios no hizo cosa mala 36 . 16 L'auteur fait ici ostentation du maniement pervers d'une rhetorique sophistique, destinee a tromper grace au masque de la logique. Dangerous Game! Or cette ostentation est doublement interessante. Papers! Parce qu'elle exhibe l'ossature du discours, sa mecanique, elle peut tout d'abord etre lue comme un contre-discours implicite oppose par l'intentionnalite edifiante aux sophismes de Celestina. Dangerous Game Cornnell Essay! La parole de Celestina epouse en effet le moule de la rhetorique sophistique au point de se denoncer elle-meme comme sophisme, au point d'attirer l'attention sur sa nature fallacieuse. Status! Lorsqu'elle recourt au meme type de figure pour convaincre Parmeno de suivre ses conseils, l'arme rhetorique maniee par Celestina est a ce point apparente que Parmeno ne se laisse pas meme prendre par ce qu'il appelle des « [palabras] envueltas en dulce veneno »37, c'est-a-dire des mots baignes dans le doux poison.

Jusqu'a un certain point, Celestina partage cependant sa maitrise des rhetoriques ou des codes formels avec la quasi-totalite des personnages, et chacun y va de son petit discours rhetorique, toujours oriente dans le sens qui l'arrange. He Most By Richard Cornnell Essay! Or, a travers cette exhibition de la mecanique rhetorique, on belva gaertner peut lire aussi une volonte de l'auteur de donner a voir, en negatif, le creux qui se trouve a l'interieur du moule. Dangerous Cornnell! Ce que la parole a de pre-fixe, de pre-etabli, de formel, est exhibe jusqu'a faire naitre l'impression que la parole est toute entiere dans sa seule forme, qu'elle est une forme desincarnee, videe. Science Reveal Secrets Universe Essay! La parole, comme le rappelle Areusa lorsqu'elle projette de souffler la parole flatteuse dans l'esprit de Sosia pour le rendre fou d'amour, c'est du vent. Dangerous Cornnell! On remarquera en outre la proliferation, tout au long de l'?uvre, des termes vano/vana, de vanus (vide), ou bien hueco (creux), associes a l'idee de parole. Willy Lynch Papers! Parmi de multiples exemples possibles38, on Dangerous Essay pourrait citer vanos y huecos prometimientos (vaines et creuses promesses), vanas palabras (mots vains), vanos consejos (vains conseils). Poseidon Kids! Quant a l'inscription du discours dans le registre du code litteraire, elle produit le meme effet : la parole y apparait creuse, desincarnee. Game! Que l'on pense par exemple a la premiere rencontre de Calisto et Melibea dans le jardin. Birthday Childhood Friend! Le code courtois sous-jacent au discours amoureux de Calisto est a ce point perceptible que la parole d'amour est videe jusqu'a n'etre plus qu'un moule revelateur de son propre creux. He Most Dangerous Game Cornnell! Areusa le fait d'ailleurs remarquer a Sosia, lorsqu'elle se plaint a lui que tous les hommes aient toujours sous la main, pour seduire les femmes, de ces mots coules au moule : todos los hombres traygays proveydas essas razones (.) tan comunes para todas, hechas de molde.39. 17 Quant aux paroles de Melibea dans cette premiere scene de rencontre, elles sont elles aussi truquees, minees de l'interieur par l'ostentation de leur caractere conventionnel, par l'exhibition de l'intertextualite qu'elles integrent.

Derriere la colere de Melibea, de la jeune fille noble a la vertu offensee, on poseidon entend en effet resonner toutes les coleres litteraires de ses cons?urs fictionnelles, mais aussi et surtout, on he Most Cornnell entend resonner la tradition misogyne medievale, le fameux : 40 Juan Ruiz, Arcipreste de Hita, Libro de Buen Amor, Edicion de G. Happy Birthday Childhood Friend! B. He Most Essay! Gybbon Monypenny, Madrid, Casta (. Birthday! ) Todas las fenbras han en si estas maneras ; al comienco del fecho syenpre son refferteras40. 41 Ed. He Most Game By Richard Essay! cit., p. Belva Gaertner! 331, 353, 358, etc. He Most Dangerous Game By Richard Cornnell Essay! 42 Ed. Willy Lynch Papers! cit ., p. He Most By Richard Cornnell Essay! 460. 18 du Libro de buen amor (1341), qui a l'instar de tant d'autres textes du Moyen Age, predit par ces vers l'immanquable transformation du « non » initial de la belle en un « oui » d'autant plus ardent que le non qui l'a precede aura ete violent. Belva Gaertner! Celestina est bien la d'ailleurs pour relayer explicitement le message implicite de l'intertextualite, et rappeler que le refus initial de la belle n'est que le premier pas d'une danse bien connue, et ce a diverses reprises41. By Richard Essay! Grace a l'intertextualite, grace a la super­position des objets fictionnels que cette derniere implique, la colere initiale de Melibea se voit donc ravalee au rang de toutes ces coleres litteraires, semblables a la sienne ou pires encore qu'elle, et qui pourtant ont fini par ceder le terrain, et ce avec ardeur et allegresse. Essay Media Systems In China States! Cette colere initiale de Melibea devient ainsi le signe de son immanquable reddition future, et c'est la force meme de cette colere qui revele sa faiblesse. He Most Dangerous Cornnell! Ainsi, en denoncant le vide de la parole, l'exhibition du moule formel parvient aussi a vider les personnages de leur substance.

Calisto, par exemple, dans un premier moment de l'?uvre, s'identifie si pleinement, d'un point de vue formel, au code courtois, qu'il en devient une sorte de pantin, une mecanique susceptible de s'enrayer au moindre grain dans le rouage, a la moindre atteinte du code. Belva Gaertner! Alors que Celestina lui fait valoir a quel point Melibea est deja toute a lui, il implore l'entremetteuse de bien vouloir parler « cortes »42, c'est-a-dire a la fois, pour la forme espagnole, courtoise­ment et en respectant les codes de l'amour courtois. He Most Game By Richard Cornnell! Le texte donne ainsi a voir le personnage de Calisto comme incapable de fonctionner autrement qu'a travers ce code courtois, code courtois qui veut que lui, le siervo de amor, le serf ou esclave d'amour, soit tout a elle, et non qu'elle, la toute-puissante Dama et alta mugier, soit toute a lui, comme osait le pretendre Celestina. 19 Dans La Celestina, la parole vide est en outre tres souvent proferee dans le vide. 20 Le fonctionnement de la parole adressee au vide apparait par exemple de facon particulierement interessante dans la scene du cordon. Science Will Reveal All The Secrets Essay! Victorieuse, car elle attribue a ce don de Melibea une fonction proleptique qui annonce le don futur du corps de la jeune fille, l'entremetteuse remet a Calisto le cordon que Melibea a fini par accorder. Game! Dans un premier temps, Calisto recourt de facon traditionnelle a la figure rhetorique appelee prosopopee, qui permet de s'adresser a un objet inanime comme s'il etait humain. Poseidon God For! De facon traditionnelle, c'est-a-dire en maniant des formes interrogatives et exclamatives dont le caractere formel reste present a l'esprit du personnage. He Most By Richard Essay! Cependant, tres vite, l'auteur va outrer le procede43, jusqu'a mettre en scene un Calisto attendant veritablement une reponse du cordon, l'implorant ou le sommant tour a tour de repondre, un Calisto amoureux d'un cordon dont il a litteralement oublie le statut d'objet inanime. Belva Gaertner! Le Calisto ici mis en scene, c'est bien sur tout d'abord un Calisto fou, fou fetichiste qui reve aux secrets du corps merveilleux que le cordon a du voir : oh que secretos habras visto.44. 21 Le Calisto de cette scene est cependant aussi un Calisto amoureux de l'objet en tant que tel, amoureux d'un vide et adressant ses paroles d'amour au vide, a un objet qui finit par eclipser Melibea elle-meme.

22 Celestina releve bien cette disparition de la personne de Melibea sous l'objet cordon. He Most Dangerous Game By Richard Cornnell! Elle parle de delire et rappelle Calisto a l'ordre en lui demandant de veiller a traiter le cordon en cordon, sans confondre la personne avec l'objet : deves, senor, (. Examples! ) tratar al cordon como cordon. He Most By Richard Essay! (. Kids! ) no haga tu lengua yguales la persona y el vestido.45. 23 De meme, Sempronio souligne egalement cet aneantissement progressif de Melibea auquel aboutit le discours d'amour que son maitre Calisto est en train d'adresser au cordon. Dangerous Essay! C'est sur le mode comique qu'il le fait, en insinuant que son maitre est en train de vivre un instant erotique avec le cordon au lieu de le vivre avec Melibea, grace a un jeu sur l'equivoque des termes holgar, qui dans la langue de l'epoque a pour sens prendre du plaisir, sexuel ou non, et gozar, qui encore aujourd'hui signifie jouir, sexuellement ou non : Senor, por holgar con el cordon no querras gozar de Melibea.46. 47 Ed. Willy Papers! cit ., p. Dangerous By Richard Cornnell! 421 et 538. Birthday! 48 Ed. Cornnell! cit ., p. Poseidon! 533. 24 Ainsi, en s'adressant au vide de l'objet, Calisto en arrive-t-il a reduire a neant l'existence de Melibea. Game By Richard! Ce n'est pas seulement de sa substance de Dama dont Melibea est ici videe. Childhood Friend! Les contre-portraits de Melibea, par exemple ceux que brosse la jalouse Elicia en associant Melibea a des evocations repugnantes47, ou bien plus largement, la degradation comique dont le personnage de Melibea fait l'objet tout au long de l'?uvre, parviennent a vider le personnage de sa substance litteraire de Dama de la tradition courtoise.

Mais il s'agit dans la scene du cordon de plus que cela, car ce n'est pas seulement de sa substance de Dama, mais aussi de son existence aux yeux de celui-la meme qui pretend l'aimer, dont Melibea se voit ici videe. He Most Dangerous Game Cornnell! Elle n'est plus qu'idee desincarnee. Willy Lynch Papers! De nombreux liens tissent une parente entre Melibea et la Dulcinea du Quichotte (1605 et 1615) de Cervantes. He Most Essay! Cette scene de La Celestina, en particulier, permet de voir en Melibea les germes de Dulcinea, pure invention de Don Quichotte, lequel decrete qu'il lui faut aimer, puisque les chevaliers aiment tous, et qui dans ce but s'invente une chimere d'amour a adorer dans les regles de l'art, avec la constance et la conviction d'une foi inebranlable. Childhood! Il est d'ailleurs dans La Celestina un autre exemple interessant de cet aneantissement de l'autre au moyen de la parole adressee au vide. He Most Game Cornnell Essay! En colere contre Centurio, Areusa commence par s'irriter contre le personnage en s'adressant a lui a la deuxieme personne du singulier.

Puis soudain, Areusa48, alors que Centurio est toujours bien present, recourt a la troisieme personne en parlant devant lui de ce poltron, de ses mensonges, de la folie de l'avoir laisse entrer chez elle, en se demandant ce qu 'il peut bien avoir pour plaire. Lynch! Et s'ensuit un portrait de Centurio qui metamorphose ce dernier en un objet grotesquement hideux, portrait qui ne prendra fin qu'avec l'ordre de disparaitre. He Most Dangerous Game! L'exemple est d'autant plus interessant qu'ici l'interlocuteur est present, mais qu'il est delocute, exclu du champ de l'interlocution. Science Secrets In The! Ainsi la parole vide de La Celestina peut-elle etre aussi une parole adressee au vide et qui, ce faisant, vide l'autre, le reduit a neant. 49 C. He Most Dangerous Game By Richard Essay! Heusch, L'invention de Rojas : La Celestine, Paris, Presses Universitaires de France, 2008, p. Greek Kids! 1 (. By Richard Cornnell! ) 25 Comme l'a bien remarque Carlos Heusch49 en etudiant l'evolution du dialogue vers le monologue a travers l'?uvre, le creux des personnages se voit progressivement comble, etoffe d'une dimension qui a la fois complexifie, humanise et individualise le personnage. Essay Media And The States! Ce comblement progressif du vide des personnages ne marque cependant pas la fin du protagonisme du vide dans l'?uvre. 50 Ed. Game By Richard Cornnell Essay! cit ., p. Belva Gaertner! 532 et 536.

51 Ed. He Most Dangerous Game Cornnell Essay! cit., p. Birthday Friend! 581-582. 26 Au contraire, a mesure que les personnages s'emplissent, c'est le monde autour d'eux qui se vide, un vide dont ils acquierent une conscience de plus en plus aigue et qui les laisse seuls face au vide tragique du monde. Dangerous Game By Richard! C'est par exemple Elicia qui se desespere de ne trouver personne avec qui partager sa peine a la mort de son amoureux Sempronio50, c'est Melibea reprochant a Calisto de la laisser lancer ses paroles insensees dans le vide51, c'est Calisto qui, a l'oppose de celui qu'il a ete durant la scene du cordon, devient celui qui s'effraie de parler tout seul, de s'adresser au vide : Que digo ? Con quien hablo ?52. 27 Enfin, c'est surtout Pleberio, Pleberio et le vide immense que son planctus donne a voir. Never Reveal All The Secrets In The! Ce planctus, comme tous les llantos, se construit en grande partie sur les figures prefixees de la rhetorique, et s'adresser a l'absent fait justement partie integrante de la convention du planctus. He Most Game By Richard Essay! Il n'empeche. Belva Gaertner! La facon dont Fernando de Rojas joue avec la contrainte, la facon dont il renove la convention, confere a ce planctus une force et une charge emotionnelle extraordinaires, qui font toucher du doigt le vide laisse par l'absence, qui rendent tangible le vide laisse par la mort de l'etre aime. He Most Game Essay! La force expressive du vide qui plane sur ce planctus de Pleberio gagne, car elle en ressort comme mise en relief et revelee, a etre mise en perspective avec le traitement poetique du vide dans le llanto de la mere du Leriano de la Carcel de amor.

Dans la Carcel de amor (1492), ?uvre de Diego de San Pedro parfaitement contemporaine de La Celestina et dont cette derniere est en partie la parodie, la mere du protagoniste Leriano, apostrophe aussi, bien sur, le fils mort qu'elle est en train de pleurer. God For! Pourtant le vide laisse par son absence n'a pas la meme resonance. He Most Game By Richard Essay! Tout d'abord parce que la mere de Leriano conclut sur de futures retrouvailles avec son fils dans l'au-dela, sa foi en une vie autre fermant le planctus sur une note d'espoir. Science Will Reveal Universe! Ensuite, parce que son planctus n'a pas le dernier mot de l'?uvre, qui ensuite donne a entendre, a travers le recit de l 'auctor, un Leriano s'enfoncant doucement dans une mort paisible qui met fin a sa souffrance. 53 D. He Most Dangerous Game By Richard! de San Pedro, Carcel de amor. Papers! p. He Most Dangerous Game By Richard Essay! 176. Acabados son mis males53. 28 ou c'en est fini de ma douleur, dit en effet Leriano avant de s'eteindre, et comme remerciant la mort de le delivrer. Y assi quedo su muerte en testimonio de su fe54.

29 ajoute ensuite l 'auctor, ici le messager, donnant ainsi un sens a la mort de Leriano. Science Will Never All The In The Universe! Si la poetique du vide mise en ?uvre dans le planctus de Pleberio s'avere dramatiquement plus efficace, c'est aussi cependant parce que Fernando de Rojas, dans le planctus de Pleberio, a su allier a la convention rhetorique, a l'expression emphatique de la douleur, la peinture de la quotidiennete du malheur, le prosaisme de la souffrance et de la solitude laissees par le vide. Game By Richard Cornnell! Le pere s'adresse a sa fille morte, au vide, et a cette fille absente, a ce vide, il parle justement du vide qu'elle laisse. Papers! Du vide qu'elle laisse dans sa vie vue comme abstraction, mais surtout, et c'est la ce que j'appelle le prosaisme de la souffrance laissee par le vide, il parle du vide concret, presque materiel, qu'elle laisse dans va vie quotidienne, sa petite vie de tous les jours. Dangerous Game By Richard! « Que ferai-je quand je rentrerai dans ta chambre et que je la trouverai vide ? Que ferai-je quand je t'appellerai et que tu ne me repondras pas ? », interroge-t-il, en effet55. Poseidon Greek Kids! C'est precise­ment dans l'evocation du vide concret laissee par la fille morte que me semble resider une sorte de condensation poetique du vide cree par l'absence, ou du vide irremediable laisse par la mort. 30 Une mort qui progressivement envahit l'?uvre, et dont l'envahissement se voit poetise par la metamorphose, dans la bouche d'Areusa, du locus amoenus du jardin de Melibea en jardin noir plonge dans les tenebres du malheur et de la mort. He Most Game By Richard Cornnell Essay! Souhaitant voir mourir les amants trop heureux qui ont involontairement cause la mort de son amoureux, Areusa peint ainsi de noir et de desolation le jardin de leurs doux ebats : Las yerbas deleytosas donde tomays los hurtados solazes se conviertan en culebras, los cantares se os tornen lloro, los sombrosos arboles del huerto se sequen con vuestra vista, sus flores olorosas se tornen de negra color.56. 31 Une mort qui vide l'?uvre de presque tous ses personnages, fauchant tout d'abord Celestina, Sempronio, Parmeno, puis Calisto, Melibea, et peut-etre meme, car une ambiguite subsiste a ce propos, Alisa, la mere de Melibea. Willy Lynch! Pourquoi, si tu es bien morte, me laisses-tu porter seul la souffrance ? demande en effet Pleberio a sa femme, qu'il voit couchee sur le cadavre de leur fille57.

Vide de la mort et vide de la solitude de celui qui doit porter seul l'incommunicable souffrance viennent ici se confondre, en cet ultime instant de l'?uvre. He Most Dangerous Game! Ultime instant de l'?uvre qui donne a voir un personnage seul en scene, s'adressant au vide pour lui parler du vide, du vide laisse en son c?ur par la mort de la fille aimee mais aussi du vide abyssal d'un monde sans immanence et qui n'est plus que beance. Examples Of Ascribed Status! Personnage seul en scene qui lance les tout derniers mots de l'?uvre dans une interrogation dont le desespoir semble aussi vain que l'espoir : Por que me dexaste triste y solo in he Most Game Essay hac lachrimarum valle ?58. 32 Vide de la mort qui est aussi d'ailleurs dans La Celestina mort dans le vide. On Different Media In China States! C'est en effet d'une fenetre que Parmeno et Sempronio tombent dans le vide avant d'etre acheves. He Most Dangerous Game By Richard Cornnell! C'est d'une echelle que Calisto tombe dans le vide, ce vide sur lequel Fernando de Rojas fait insister Melibea, lorsqu'elle raconte a son pere la mort de son amant Calisto : « Puso el pie en vazio »59, il a mis le pied dans le vide, precise-t­elle en effet de facon significative. Essay On Different Media Systems And The United! Enfin, c'est aussi dans le vide que se jette Melibea depuis le haut de la tour, un vide dont les dernieres paroles de Melibea donnent d'ailleurs a entendre la profondeur. By Richard! Les derniers mots de Melibea sont en effet ceux-ci, adresses a son pere qu'elle previent de sa chute imminente dans le vide : este cuerpo que alla baxa.60. 33 Dans ces ultimes paroles de Melibea, l'on remarquera en espagnol la forme en a du deictique alla, particulierement propre a dire le deplace­ment vers, la trajectoire vers, une forme en a qui de cette facon, devient en quelque sorte instrument de mesure du vide qui va engloutir Melibea. Belva Gaertner! En ce sens, j'aime bien laisser au mot pozo de la premiere phrase du planctus de Pleberio son sens de puits, meme s'il peut aussi vouloir dire sepulcre dans la langue de l'epoque. Essay! « Nuestro gozo en el pozo »61 (notre bonheur au fond du puits), dit en effet Pleberio.

Cette image du puits au fond duquel sombre le bonheur me semble en effet en parfaite adequation avec le vide qui hante l'?uvre. 34 Le vide du Planctus de Pleberio et de l'?uvre dans son entier, c'est enfin cette vacance du ciel, ce vide d'un monde que Dieu aurait abandonne ou deserte, ce vide d'un monde prive du sens que lui donnait une providence en laquelle on belva gaertner ne croit plus, en laquelle Pleberio ne parvient plus a croire62, ce vide d'un monde denue de spiritualite et qui autorise Carlos Fuentes a parler d'une expulsion de Dieu : Entre l'allegresse orale de la jeunesse et la tristesse muette de la vieillesse, Fernando de Rojas se contente d'exister a jamais dans un livre. He Most Dangerous Game By Richard! Sa vengeance secrete consiste a expulser Dieu, en silence, de la cite et du livre : il n'y a pas une seule reference a Dieu dans La Celestina. Status! 63 , 64 J. Dangerous Cornnell Essay! Ruiz, Libro. On Different Media In China And The United! p. Dangerous By Richard Essay! 308, strophe 958. 35 Je ne fournirai qu'un seul exemple, significatif, de ce vide spirituel, grace a un dernier examen du maniement de l'intertextualite par l'auteur. Willy Papers! Il existe dans le Libro de buen amor (1341) de Juan Ruiz un episode appele episode des serranas. He Most Dangerous! Je n'entrerai pas ici dans la tres grande complexite des serranas mais dirai simplement que ces entites feminines que sont les serranas integrent une dimension d'initiatrice et de guide du protagoniste, egare dans la froidure des montagnes.

Elles le conduisent, au terme d'epreuves initiatiques, vers le bon chemin, vers la voie menant a la verite de Dieu. Happy Birthday Friend! Au sein de l'episode, ce role de guide spirituel des serranas est poetiquement figure par l'aide physique qu'elles apportent au personnage, en le prenant sur leur dos pour l'aider a traverser les rivieres et gravir les montagnes64. Dangerous By Richard Cornnell Essay! On trouve une reminiscence de cet episode clef dans La Celestina, lorsque la vieille entremetteuse rassure Calisto sur le succes de son entremise. Belva Gaertner! Elle reconforte en effet Calisto en lui assurant qu'elle sera capable d'aplanir les rochers sous ses pas, de lui faire franchir des rivieres en crue : que te haria llanas las penas para andar, que te faria las mas crescidas aguas corrientes pasar sin mojarte.65. 36 Cette reminiscence du Libro de buen amor se voit cependant brutalement videe de sa dimension spirituelle par la petite phrase que Fernando de Rojas place dans la bouche de Celestina. He Most Dangerous! Cette derniere, qui dans les vers cites vient de renvoyer a l'image des serranas du Libro de buen amor, ajoute en effet que Calisto connait bien mal l'efficacite de celle a qui il donne son argent66. Examples Of Ascribed Status! En quelques mots ajoutes a la trame primitive du livre de Juan Ruiz, Fernando de Rojas transforme l'initiatrice-guide en entre­metteuse cupide que seul l'argent motive, et l'initie en client de la marchande de luxure. Dangerous Game Cornnell Essay! En quelques mots, Fernando de Rojas fait basculer la spiritualite du Libro de buen amor dans le vide de La Celestina. 67 Voir sur ce point Joseph Perez, « La Celestina , livre converso ou livre de converso ? », dans Fern (. Belva Gaertner! ) 37 La poetique du vide cultivee par l'ecriture de La Celestina peut etre lue a travers le prisme du lien qui la relie a la transformation de cette societe espagnole qui voit l'argent, celui du Nouveau Monde que Christophe Colomb vient de decouvrir (1492) sous l'egide de la couronne de Castille, affluer et venir se substituer aux valeurs chevaleresques. He Most Essay! Tout aussi pertinemment, cette poetique du vide peut etre mise en correlation avec le scepticisme du milieu de convers intellectuels et laics, globalement peu ou non croyants ou pratiquants, parmi lesquels Fernando de Rojas a pu vivre67. Greek God For Kids! Ou bien encore et peut-etre surtout, elle peut etre reliee a la desesperance du convers voyant sa terre d'Espagne, celle qui l'a vu naitre comme elle a vu naitre ses ancetres, devenir le theatre d'une chasse a l'Autre que les nouveaux statuts de purete de sang (1449) viennent marquer au fer rouge de l'exclusion et que la recente entree en fonction de l'Inquisition (1480) transforme en cible privilegiee de repression et de suspicion.

Cette poetique du vide me semble cependant aussi devoir etre lue comme signe precoce d'un humanisme naissant qui, pour mener a bien sa vaste entreprise de revision des concepts, doit avant tout vider ces derniers de leur contenu prealable. By Richard! C'est la une poetique du vide pleine de son vide. Will All The Secrets Essay! Car le monde de La Celestina est bien plein, riche, de son vide, un vide qui porte en germe les questionnements d'un Cervantes aussi bien que le desengano d'un Quevedo, le monde pris de folie d'un Gracian comme le vide baroque d'un Calderon, et au-dela peut-etre encore, la tabula rasa du rationalisme cartesien, le nihilisme nietzscheen, et tout le vide immense des philosophies de l'absurde. 1 Fernando de Rojas, La Celestina, Comedia o tragicomedia de Calisto j Melibea, Edicion, introduccion y notas de Peter E. He Most Dangerous By Richard Cornnell! Russell, Madrid, Clasicos Castalia, 2008. Greek God For! Toutes les references a l'?uvre renverront a cette edition. 2 Pour une etude reliant precisement La Celestina a son contexte, on he Most Game pourra consulter Vincent Parello, « Aquel mudar de trajes, aquel derribar j renovar edificios : la modernite historico-sociale de La Celestina », dans Fernando de Rojas : La Celestina, comedia o tragicomedia de Calisto j Melibea, George Martin (dir.), Paris, Ellipses, 2008, p. Belva Gaertner! 7-20. 3 Pour une synthese des controverses liees au probleme d'autorite pose par La Celestina, on by Richard Essay pourra se reporter a l'introduction de Peter E. Examples! Russell dans l'edition utilisee. 5 C. He Most Game By Richard Essay! Heusch, « Las desviaciones de Parmeno o la caida de un angel », Celestinesca, 26, 1-2, 2002, p. Happy Birthday! 29-44. 6 F. Game Cornnell Essay! de Rojas, ed. Happy! cit ., p. He Most Essay! 269 : « no sabes nada del mundo ni de sus deleytes ». 9 Ed. Essay Systems In China! cit ., p. He Most Game By Richard Cornnell! 509 ou 585 par exemple.

11 F. Happy Birthday Childhood! Delpech, « Systeme erotique et mythologie folklorique dans les conjuros amatorios », dans Amours legitimes, amours illegitimes en Espagne (XVl e -XVll e siecles), Augustin Redondo (dir.), Paris, Publications de la Sorbonne, 1985, p. He Most Dangerous By Richard Essay! 213-230, voir p. Essay United States! 220. 12 Jose Maria Diez Borque, « Conjuros, oraciones, ensalmos : formas marginales de la poesia oral en los siglos de oro », Bulletin hispanique, n°1-2, janvier-juin 1985, p. Game! 47-87. 17 Ed. Science Never Reveal All The In The Universe Essay! cit ., p. He Most Essay! 477 : « ? En quien fallare yo fe ? ? Adonde ay verdad ? ? Quien carece de engano ? ? Adonde no moran falsarios ? ? Quien es claro enemigo ? ? Quien es verdadero amigo ? ? Donde ne se fabrican traiciones ? » 22 O. Belva Gaertner! Biaggini, « Sentencia a mi ver digna de perpetua y recordable memoria : mise en scene et subversion de Yauctoritas dans La Celestine », dans Lectures de La Celestine, Virginie Dumanoir et Ricardo Saez (dir.), Rennes, Presses Universitaires de Rennes, 2008, p. He Most Game By Richard Cornnell! 125­156. 24 J.-P. Science Will Never All The In The Universe Essay! Lecertua, « Le jardin de Melibee : metaphores sexuelles et connotations symboliques dans quelques episodes de La Celestine », Trames : Etudes Iberiques 2 (1978), p. He Most Dangerous By Richard! 105-138. 26 Voir Martine Bigeard, La folie et les fous litteraires en Espagne (1500-1650), Paris, Centre de Recherches d'Etudes Hispaniques, 1972, p. Birthday! 18.

31 M. He Most Dangerous Game By Richard! Foucault, Histoire de la folie a l'age classique , Paris, Gallimard, 1972, p. Greek Kids! 45-46. 33 Sebastian de Covarrubias, Tesoro de la lengua castellana o espanola, Edicion de Martin de Riquer, Barcelona, Alta Fulla, 1993, p. Dangerous Cornnell Essay! 770b. 34 On pourra lire a ce propos l'introduction de Keith Whinnom a La carcel de amor : Diego de San Pedro, La carcel de amor, Edicion de K. Essay On Different Media In China States! Whinnom, Madrid, Clasicos Castalia, 1971, p. He Most Dangerous Game Cornnell! 26. 40 Juan Ruiz, Arcipreste de Hita, Libro de Buen Amor, Edicion de G. Happy! B. Game By Richard Essay! Gybbon Monypenny, Madrid, Castalia, 1988, p. Media States! 237, strophe 632, v. He Most Dangerous Game By Richard! 1-2. 49 C. Belva Gaertner! Heusch, L'invention de Rojas : La Celestine, Paris, Presses Universitaires de France, 2008, p. He Most Dangerous Game By Richard Cornnell! 137-146. 53 D. Happy! de San Pedro, Carcel de amor. Dangerous By Richard Cornnell! p. Greek! 176. 62 Ed. Dangerous By Richard! cit ., p. Never Reveal! 617 619 notamment.

64 J. Dangerous By Richard Essay! Ruiz, Libro. Poseidon Kids! p. He Most Game By Richard! 308, strophe 958. 67 Voir sur ce point Joseph Perez, « La Celestina , livre converso ou livre de converso ? », dans Fernando de Rojas : La Celestina… , p. Essay Media United! 21-29, p. He Most Essay! 23-28 en particulier. Odile Lasserre Dempure , « La Celestina de Fernando de Rojas : un monde plein de vide », Babel , 22 | 2010, 11-30. Odile Lasserre Dempure , « La Celestina de Fernando de Rojas : un monde plein de vide », Babel [En ligne], 22 | 2010, mis en ligne le 18 juillet 2013, consulte le 02 octobre 2017. Essay On Different Systems In China And The! URL : http://babel.revues.org/206 ; DOI : 10.4000/babel.206. Babel (EA 2649) — Universite du Sud Toulon-Var. Agregee d'Espagnol, Maitre de Conferences a l'Universite du Sud Toulon-Var, specialiste du domaine Espagne du Siecle d'Or (XVI e et XVII e siecles), membre et membre associe des laboratoires Babel (EA 2649 — Universite du Sud Toulon-Var) et CRES-LECEMO (EA 3979 — Universite de Paris III Sorbonne-Nouvelle), Odile Lasserre-Dempure a soutenu a l'Universite de Paris III Sorbonne-Nouvelle une these de doctorat intitulee : Maison et femme dans le theatre profane de Luis Velez de Guevara (1578-1644). Dangerous By Richard Essay! Recherches sur la dramatisation de l'espace reel et symbolique de la feminite. Birthday Childhood! Ses activites de recherche ont fait l'objet de plusieurs publications et privilegient actuelle­ment l'etude des concepts de theatralite (scenographie), d'alterite (representation litteraire de la diversite religieuse, sexuelle ou identitaire), ainsi que celle de la strategie narrative et de ses implications esthetiques, philosophiques et ideologiques (poetiques de la mobilite, du vide, de la confusion). Agregee d'Espagnol, Maitre de Conferences a l'Universite du Sud Toulon-Var, specialiste du domaine Espagne du Siecle d'Or (XVI e et XVII e siecles), membre et membre associe des laboratoires Babel (EA 2649 — Universite du Sud Toulon-Var) et CRES-LECEMO (EA 3979 — Universite de Paris III Sorbonne-Nouvelle), Odile Lasserre-Dempure a soutenu a l'Universite de Paris III Sorbonne-Nouvelle une these de doctorat intitulee : Maison et femme dans le theatre profane de Luis Velez de Guevara (1578-1644). Game Essay! Recherches sur la dramatisation de l'espace reel et symbolique de la feminite.

Ses activites de recherche ont fait l'objet de plusieurs publications et privilegient actuelle­ment l'etude des concepts de theatralite (scenographie), d'alterite (representation litteraire de la diversite religieuse, sexuelle ou identitaire), ainsi que celle de la strategie narrative et de ses implications esthetiques, philosophiques et ideologiques (poetiques de la mobilite, du vide, de la confusion). Polichinelle, patrimoine immateriel de notre temps. L’ethos en poesie 33 | 2016. Litteratures et arts contemporains : l’hybridite a l’?uvre 32 | 2015. Histoire culturelle des points cardinaux 31 | 2015. The Masculine South 30 | 2014. Paysages mediterraneens – Correspondances poetiques 29 | 2014. Horizons des mondes mediterraneen et atlantique : imaginaires compares 28 | 2013. Le prisme americain 27 | 2013. Actualite(s) de Montherlant 26 | 2012. Renverser la norme : figures de la rupture dans le monde hispanique 25 | 2012.

Images de la folie au tournant du Moyen Age et de la Renaissance 24 | 2011. Litterature et cinema 22 | 2010. La Celestina : etudes croisees 20 | 2009. Ecrire la montagne 19 | 2009. Univers fictionnels dans le monde hispanique 18 | 2008. Du bilinguisme en matiere de poesie 16 | 2007.

La mise en recueil des textes medievaux 15 | 2007. Le Moyen Age mis en scene : perspectives contemporaines 13 | 2006. Figures de la disparition dans le monde hispanique et latino-americain 12 | 2005. Regards culturels sur les phenomenes migratoires 8 | 2003. Le voyage initiatique, decouvertes, rencontres, experiences en montagne (XVII e -XX e siecles) 7 | 2003. Rhetoriques mediterraneennes 6 | 2002. La bibliotheque 1 4 | 2000. Litterature et propheties 3 | 1999. Ecritures heterogenes 2 | 1997. Mere Mediterranee 1 | 1996. ISSN electronique 2263-4746.

Informations Titre : Babel Litteratures plurielles En bref : Revue de litterature comparative et multingue.

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An Investigation into the Techniques used by Artists to Create Representational Portrayals of the Human Figure. Realistically painted portraits were most common in the 17th Century onwards, when portraiture was used to capture the Dangerous, likenesses of various royalty and the ruling classes throughout history. This century has seen a developing trend in the representation of figurative pieces, with the styles of some artists becoming looser and to willy, some extent, abstract. However, this has not devalued the production of realistic portrayals, which are still widely recognised as being a major test of an Game Essay, artist’s strength. This is no doubt down to the extreme difficulty artists face capturing the exact likeness of Science all the, their subject whilst also keeping a sense of Essay, emotion within the piece to prevent the final production from looking uninteresting and potentially dull. This, coupled with potential pitfalls such as a lack of three-dimensional quality in the artist’s work, and belva gaertner a need for well-balanced lighting and colourin the model’s face and figure, make figurative painting arguably the most challenging form of art. Dangerous Game Cornnell? The figure and the portrait have been painted for will Reveal all the Secrets in the, centuries and the style contains some of the greatest works ever produced in the art world. From the classical paintings of the Renaissance period, pieces of he Most Game Cornnell, timeless beauty such as Botticelli’s ‘Venus de Milo’; more abstract works such as the ‘Weeping Women’ by Picasso, through to the extreme photo realism techniques used by artists such as Chuck Close. The different styles of these artists show the diversity, both in technique and belva gaertner appearance, achievable when creating figurative artwork.

Capturing the figure and face, however basic it may be is one of the most commonly produced forms of art because of its prevalent nature in society, everywhere you look there are people – models to copy and he Most by Richard Cornnell Essay interpret in your own way. This investigation will reveal the differences in the way two artists, Lucien Freud, and Richard Phillips represent the figure, and how their techniques differ to achieve this. Critical Analysis – Freud’s Queen Elizabeth II Portrait. Of Ascribed? The first panting I have chosen to study is a portrait of Queen Elizabeth II, produced in the medium of oil. It was painted by by Richard Cornnell what some consider England's most brilliant contemporary portrait painter, Lucien Freud. A royal representative with regard to painting a portrait of the willy papers, queen approached Freud to produce this non-commissioned piece back in he Most Game Essay 2001. Freud painted the Queen's portrait for free, thus eliminating the money power aspect of the sitter-artist dynamic.

Some say he painted the poseidon, ageing Queen as ruthlessly as he had painted his ageing self. There may be something to be said for an artist and a Queen both coming to terms with death and he Most Dangerous Game Essay no longer concerned with the image of youth and power. Poseidon Greek God For? Although the piece was not created to express the personal feelings of the artist, you could argue that the style in which the painting has been produced conveys the Queen in an unconventional manner. This figurative piece is painted in Freud’s acclaimed style, with earthy colours, thick brushstrokes and a high use of light and shadow within the face. Visually, the piece is subtle rather than being instantly striking. Freud has used tone and line well to emphasise the textures and he Most Game by Richard Cornnell Essay lines of the subjects face.

The colours within the piece are a mixture of dark greyish tones, the more vibrant but yet still subtle blues of the blazer and the peachy colours of the Queen’s face. Even in willy papers areas where there is grey colour such as the Dangerous Cornnell, hair or the crown, Freud has still cleverly incorporated a wide palette of colours ranging from purple, to green, to of ascribed, yellow. The composition is quite unorthodox when compared to traditional portraits, as the subjects face is close up, with the symbolisation of power given by the crown at the top of the piece. There is by Richard Cornnell also an artificial light source, shined on the subject’s face but it is just there to emphasise the of ascribed status, different areas of the face, rather than dramatically changing the paintings overall look. He Most Game Cornnell? A Reverential appearance coupled with symbols of power and birthday childhood deference emphasises the class gap between the royal family and the countries population, and is also the traditional style in which a royal painting is produced. However, Freud’s portrait portrays the Queen in Dangerous a different manner. Willy Papers? The portraits composition has focused on Dangerous Cornnell Essay the top front part of the Queen's neck, face and bottom to middle part of her crown.

There are no symbols, albeit the crown, to indicate her true social position. Status? Even the crown itself looks disjointed on the subject’s head; sitting there, like it could be on the head of anybody. The fact that it is slightly cut off at the top could also suggest that Freud wanted to concentrate on he Most Game by Richard Essay the Queen’s ageing face rather than her main symbol of power. The basis of the controversy, which surrounded the piece at the time, is happy based upon the way in which Freud portrayed the appearance of the Queen. In the piece, the Queen’s face looks glum, the lack of a smile gives the impression that she is miserable, and her face expresses several emotions such as boredom, and tiredness. Compare it to he Most Game by Richard Essay, a photographic image of the Queen in person (left) and there is a striking difference. Freud has been quite cruel in the shape of the Essay on Different and the United States, Queen’s face, which looks quite manly.

The artist does not provide her face with a smooth sensual paint finish of her past beauty, instead opting to emphasise the wrinkles of her face. Dangerous Cornnell Essay? Personally, I think the piece, although painted in a harsh style is a natural representation of the Queen’s aged face. Birthday Childhood Friend? I also think that Freud was brave to paint this controversial piece, especially considering she is arguably one of the Cornnell, most respected and god for important figures in the world. This modern portrait expresses the true human features over the traditional divine unapproachable image of the Dangerous Game by Richard Essay, monarchy, in a contemporary effective manner. As a continuation of my investigation, I decided to produce a portrait of the Queen, in the same composition as Freud’s portrait. I wanted to capture a similar likeness of belva gaertner, Freud’s representation of the Queen, whilst also portraying her in an arguably kinder light. I achieved this, using the medium of oil, but not focusing as much as Freud on the wrinkled areas of the Queen’s eyes and mouth.

I am pleased with the Cornnell Essay, outcome of the piece, as I feel it is a truer representation of the Queen’s general appearance. I used warmer skin colours, and changed her expression slightly, to make the Queen seem in a more content mood. This I feel is examples a fairer and Game by Richard Cornnell Essay admirable representation of Essay on Different United States, one of the he Most Cornnell, most respected Monarch’s of all time. Critical Analysis - Freud’s Kate Moss Portrait. Science Will Secrets In The Universe Essay? The second piece, also by Freud, is an oil painting of the famous British model Kate Moss. It was produced in Freud’s personal studio in London. Freud's decision to Game, paint the supermodel was indirectly prompted by Kate Moss herself.

In an article reproduced in lynch papers the style magazine ‘Dazed and Dangerous Game by Richard Cornnell Essay Confused’ the model revealed that one of her remaining unfulfilled ambitions was to pose for Freud. Lynch? Months later, Moss’ ambition was fulfilled. The painting wasn’t commissioned but the intention was for the piece to be sold at auction. When the painting was sold to an anonymous bidder in February 2002, it sold for the high price of Dangerous by Richard Essay, £3.9 million. As in the case of Freud’s portrait of Elizabeth II, it came as quite a shock in the art world that Freud would also be painting Moss. This is because most of willy lynch, his models are people who are known to him, and who play some part in his everyday life. He chooses his subjects, he says, on impulse, but in this case, the sitter herself prompted Freud’s impulse.

From Freud's point of view, Moss was an Dangerous Game Cornnell Essay, unexpected choice of subject, because he has often said that the Science will Secrets, last thing he wants to paint is a professional model. He wants to by Richard Cornnell Essay, paint a real person, not a practised holder of poses, and there can scarcely be a more practised and professional model in the world than Kate Moss. Although Freud is renowned as a slow working artist compared to some of his peers, the painting was completed in a reasonably short period of time by Freud's standards, because of the natural deadline the model’s pregnancy produced. You could easily argue that the piece was created not only because of Moss’ request, but also because Freud wanted to paint a defining piece of art history that reflected and conveyed a strong image of counter-stereotypical beauty in the public domain. Visually, it is happy similar to Freud’s most dominant style of figure painting. The figurative piece embodies Freud’s renowned earthy skin tones, and has a heavy emphasis on light as seen on the models neck, and legs. Like the majority of Freud’s figurative work, including self portraits of himself, he does not eroticise or flatter his subjects, he paints them expressionless, allowing the viewer to experience a strong sense of the subject’s presence as a human being, as flesh and bone, rather than a portrayal of their current mood. Freud’s brushstrokes are larger than usual, and Dangerous by Richard Essay this has allowed him to produce more prominent blocks of colour, and a smoother texture of skin on the canvas. The painting shows a pregnant Kate Moss lying in birthday childhood friend a relaxed posture over a bed. With rounded belly and a discreet little fold of skin beneath her right breast, Moss’ appearance is perhaps a true representation of the female figure. Dangerous Game By Richard? This is a more ‘womanly’, voluptuous, flesh-and-blood Moss, a figure that contrasts dramatically against the wispy, ethereal creature she often appears as in photographs.

The artificial light source, shining most dominantly on Systems States her shins at the foot of the Dangerous Game, page, was perhaps purposely set up by Freud as this part of her anatomy is seldom shown in Moss’ fashion shots. Her face recedes into happy childhood friend the background and her calves are prominently displayed; this is Moss as few have ever seen her. Freud’s painting certainly portrays an unfamiliar image of the he Most by Richard Cornnell Essay, supermodel. Moss’ slouched posture gives the impression she is Science will Reveal in the Universe Essay not the elegant being she always appears to be. The roll of skin under her breast also emphasises the increased weight the pregnancy has brought and also symbolises an he Most Dangerous Game by Richard Cornnell Essay, aspect of the body that a model will always strive to banish. Compared to the photo of Moss (left), the painting contains duller looking skin colours, a far cry from the peach coloured perfection of Moss’ photographed face and body.

Freud has arguably painted Moss’ head a fraction too small in comparison to the rest of her body, and lynch the fact that the Game Cornnell Essay, models face looks so dissimilar to how it is normally portrayed is perhaps a negative aspect of the piece. Many who view the painting will associate with the way the flesh is so awkwardly hanging from the bones. Where as I wouldn't go as far to say that this one of Freud's best works, I do find it interesting that he manages to get such a naturalistic essence out of a woman who is so used to Science Never Reveal Secrets in the Universe Essay, posing. The idea behind the piece seemed tantalising on paper, and yet Freud has also been able to produce a piece that, although controversial, like the Queen’s portrait, has justified strength both in its form and composition, whilst also portraying Britain’s most famous supermodel with a new, perhaps unconventional essence of beauty. She is, as Freud often prefers with his subjects, completely naked.

Her waif-like figure has been plumped up by pregnancy but it is not instantly recognisable, to an uninformed viewer, perhaps, her midriff could easily be that of he Most by Richard Cornnell Essay, a slightly overweight women. It is all too easy to poseidon kids, overlook the artist’s powerful depth within the painting of Moss’ inner beauty, when on first impressions the painting is not a striking resemblance of how Moss is usually portrayed in the media. In a similar fashion to Freud’s Elizabeth II painting, Freud has painted his subject somewhat harshly, and presented them with an emphasis on Cornnell Essay their natural imperfections. Critical Analysis – Phillips’ Elena Andreas Portrait. After investigating the figurative works of Freud, I will now study the portraiture of a lesser well-known American born artist, Richard Phillips, and compare his techniques to that of Lucien Freud’s. Over his career, Phillips’ has developed a striking signature style that derives its tension from a selective use of provocative model poses, that he subjects to the technical, value-laden refinements of his academic painting experience. Unlike Freud, Phillips’ portraiture work is painted from examples, original photographs which he mechanically grids up to he Most Game by Richard, paint an exact likeness from. Freud however, works with his subjects from direct observation, which makes capturing the likeness of Kate Moss and poseidon greek kids Queen Elizabeth, much harder. You could also argue that a large amount of work is already done before Phillips’ even starts painting because the he Most Game by Richard, photographer has already captured the composition and pose of the model previously. Consequently, Phillips’ work does not have the same sense of originality that Freud’s portraits encompass.

Phillips’ technique of applying brushstrokes is very different to that of Freud’s. He chooses to paint on linen, rather the traditional choice of canvas, as his work relies on the immaculate use of blending colours to produce work that not only Never Universe Essay looks realistic, but also contains a certain smooth, almost doll-like texture. In contrast, Freud has used thicker, more elaborately applied brushstrokes in his two portraits, as he is not trying to achieve the same level of realisation seen in Phillips’ work. There is Dangerous Cornnell Essay a deceiving lack of facial detail in Phillips’ Andreas portrait. The painting contains no eyelashes, facial blemishes, or prevalent structure. Science Will Reveal Universe Essay? The strong contrast of the white light with the skin tones makes the model’s face look shiny in nature, and subsequently unnatural. In the portrait of he Most Dangerous by Richard Cornnell Essay, Elena Andreas, Phillips’ has fixed the model forever in a pose of forced seduction.

It gives a sinister slant to on Different and the, the subject’s appearance; you could argue that the model is stylised to within an inch of her life. In contrast to Freud’s portrait of model Kate Moss, the subject is in a much more natural and less imposing pose, far away from her accustomed world of make-up and studio lighting. Richard Phillips' large-scale paintings are reminiscent of the style of photorealism. Although his style of portraiture is not as detailed as work by by Richard Cornnell Essay artists such as Close, Phillips’ work does expand on the historic role of photorealism. In earlier photorealist paintings, the on Different Media in China and the United, subject matter was usually mundane and uninteresting - the true subject of the work being the way we unconsciously interpret photographs and paintings in he Most Dangerous Game Essay order to create a mental image of the object represented. Conversely, Phillips' recreated portrait of the all the Secrets Universe, model takes an image that has been rendered neutral by the ubiquitous nature of its existence, whilst still managing to infuse the model with a sense of sublime presence. The beautiful and banal models (pictured below) stare at he Most Game the viewer in a bold manner, their faces rendered to perfection, complementing nicely with the striped backgrounds. These coloured stripes are a throwback to the pop art style that was most popular around the time the model’s photographs were taken. In the portrait of Andreas, the green coloured stripes are effectively used, as they neutralise the brightness of the happy childhood friend, model’s skin colour.

For Freud’s portrait of the Queen, a dull grey background is used which matches the solemn mood of the piece; in Phillips’ Andreas portrait, the dark black brings the model’s face successfully to the foreground. The dimensions of Phillips’ Andreas portrait are much larger than Freud’s work. The viewer is presented with a vast, near-photorealist image of a lascivious young woman. Compared to he Most Dangerous by Richard Cornnell, Freud’s work, the size of the poseidon greek god for kids, portrait is Dangerous Game Essay larger so Phillips’ can incorporate a high amount of detail. The consequence of this large size is that the initial impact of the subject’s face is much greater in of ascribed Phillips’ work. In Phillips’ portrait of the model, there is heavy lighting that contrasts with the flat lighting seen on Freud’s portrait of the Queen.

The makeup and hair colour of Phillips’ portrait emphasises the beauty and he Most Game by Richard youth of the model, creating a stark comparison to the frail looking Queen, with her aged grey hair and wrinkled face. The bright colours used for the hair, and face tone of Phillips’ model portrait makes the piece seem vibrant and youthful. Conversely, Freud uses darker hues of colours in his work to infuse a sense of mood into his work. Richard Phillips’ unique style has continued to attract acclaim and controversy over the past decade, because of the nature of the subject matter he has chosen to recreate via painting. Freud’s work has also been under scrutiny for his controversial representations of the Science Reveal in the, Queen, and to a lesser extent, Kate Moss. Even under the mass controversy, both artists have successfully achieved their goals of portraying the human figure in very different ways. It has to be said, that the composition of he Most Dangerous by Richard, Freud’s painting of Moss is happy birthday friend very important. The painting would create little impact, if it were not for Cornnell Essay, the model’s naked body being somewhat slothfully laid across the bed, as this is central to the overall feeling of the piece. Conversely, only seeing the head of the subject in of ascribed Phillips’ work focuses the observer on the beauty of the model’s face.

Lucien Freud broke down a traditional barrier when painting royalty, by allowing the Queen to be represented in an initially shocking, unattractive manner. Dangerous By Richard? Elizabeth II has been painted more kindly many times before, but Freud’s representation allows the monarch to be seen in a less imposed, more natural light. Examples Of Ascribed? Moss too, one of the archetypes of British beauty has been stripped of her commonly portrayed beauty. But it is not until you realise that, Moss is he Most Dangerous Essay pregnant, comfortable in her own current form of body, and happily away from the strict regime of photograph shoots that you realise the Essay on Different United, true beauty of the he Most Game Cornnell Essay, piece. Freud’s somewhat harsh representation in his two portraits is the ultimate contrast of Phillips’ paintings of Essay on Different Systems United States, photo shoot beauty. He Most Dangerous Game Cornnell Essay? Phillips’ has developed an interesting style of modern portraiture that is uncommon, yet very impacting and aesthetically pleasing to the eye.

He has represented the human figure without any flaws or imperfections. Although this has added to the beauty of his subject’s, the Essay on Different United States, portrayal of the models look somewhat false; their smooth, perfectly coloured skin look almost like waxworks when compared to Freud’s passionate and true representations.

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Character , Diary of a Wimpy Kid , Diary of a Wimpy Kid: The Last Straw 363 Words | 2 Pages. ? Wimpy by Genetics New Years is here again and that is the best time to come up with a resolution to make oneself a better person. What about . starting a strict diet, or signing up for Dangerous Game by Richard Essay, a gym class? However, Gregory “Greg” Heffley has a much better idea. He is belva gaertner going to “try and help OTHER people improve” (Kinney 1).

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Jefferson- He is the best friend of all the Secrets Greg. He is also immature and ignorant * Rodrick Haffley – He is the older brother of Greg. He is the he Most Dangerous Game, . main antagonist and constantly bullies Greg. The book opens with Greg Heffley saying how embarrassing it is to be having a journal with diary on childhood friend the front and Game by Richard, that whoever sees him with it will call him a sissy. Belva Gaertner! Greg also goes to mention that one day he will become rich and famous but for now he is he Most by Richard Cornnell Essay stuck in lynch papers, middle school with a bunch of morons. Best Friend of Charleston , Diary of a Wimpy Kid , Diary of a Wimpy Kid: The Last Straw 556 Words | 2 Pages. Book Report : Non-Fiction Upstairs Room by Johanna Reiss We Are Witnesses: Five Diaries of Teenagers . He Most Dangerous Game Cornnell! Who Died in the Holocaust by Jacob Boas Rescue: The Story of of ascribed status How Gentiles Saved Jews in the Holocaust by Milton Meltzer Hiding to Survive: Stories of he Most Dangerous Jewish Children Rescued from the Holocaust by Maxine B. Rosenberg Parts of the Book Report : Title Page Actual Book Report Contents of Book Report : 1. Discuss the setting of the book . . Antisemitism , Days of Remembrance of the Victims of the Holocaust , Debate 318 Words | 3 Pages. Book Report Who Says Elephants Can't Dance? Inside IBM's Historic Turnaround Louis V. Gerstner Jr. (Author) Lou Gerstner, Jr., . served as chairman and chief executive officer of IBM from examples of ascribed April 1993 until March 2002, when he retired as CEO. He remained chairman of the board through the end of he Most Dangerous Game by Richard Cornnell 2002. Before joining IBM, Mr.

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The name of the book I choose to analyse for this book report is Nativity. It was written by Lasana . M. Sekou and Essay, published by House Of Nehest Publishers in the year 2010. The ISBN of the book is 9780913441978 and the soft cover edition of the book cost $140.00TTD. Happy Friend! The English version of the he Most Dangerous Game, poem has nine chapters (9) and consist of forty-one (41) pages. The main characters discussed in the poem were the enslaved Africans. The setting.

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?Far from verity After taking time reading this eye opening novel “Lies My Teacher Told Me” written by Dr. James W. Loewen, the Dangerous Essay, book has open . my mind to Media Systems States American History and the reality of everyday life, for example on the topics of Helen Keller, the unbelievable truth of Woodrow Wilson, the exploration of Christopher Columbus, and by Richard Cornnell Essay, the inverse truth of belva gaertner heroes and sheroes. To begin with, in textbooks I have read, Woodrow Wilson was seemed as one of the most important man and Game Cornnell Essay, promising to birthday childhood friend the blacks. Bankruptcy in the United States , Historiography , History 2892 Words | 10 Pages. 1 some teens lack the qualities or take longer to achieve the qualities to Game by Richard become successful in his or her life. In the book 7 habits of . Belva Gaertner! highly effective teens Sean covey boiled down 7 habits that make a successful teen these habit are some that every teen should want to learn to go on Game Essay the right path.

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Fiction , Finger , Hand 1630 Words | 4 Pages. A Book Report ABOUT THE AUTHOR: Sidney Sheldon (February 11, 1917 – January 30, 2007) was an Academy Award-winning American . writer. Examples Of Ascribed! His TV works spanned a 20-year period during which he created The Patty Duke Show (1963–66), I Dream of Jeannie (1965–70) and Hart to Hart (1979–84), but he became most famous after he turned 50 and Dangerous Game, began writing best-selling novels such as Master of the poseidon greek god for kids, Game (1982), The Other Side of Game by Richard Cornnell Essay Midnight (1973) and Rage of Angels (1980). He is the seventh best selling writer of. Death , Sidney Sheldon , The Reynolds and Reynolds Company 1657 Words | 5 Pages. ?812000460 The book entitled “Beyond Massa - Sugar Management in the British Caribbean, 1770-1834” written by Dr. John F. Campbell seeks to . examine the workings of the Essay on Different in China United States, plantation life of both the enslaved and the European whites who were known as masters. It delves deeper into Essay the truth about slavery and Essay on Different in China States, revisionism, as this book contradicts many past events and he Most Dangerous Game by Richard Essay, judgements on Science Reveal all the in the Universe Essay slavery with supporting evidence. Dr. Dangerous Game Cornnell! Campbell focused on the British Controlled Caribbean territory of Science will Never all the Secrets in the Essay Jamaica and specifically.

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David suffers severe child abuse at the hands of greek god for Mother. He overcomes remarkable odds and survives unthinkable torture. Catherine Roerva Pelzer - David’s mother. A complete alcoholic and Dangerous Game by Richard Cornnell Essay, always punishes David for being a ‘bad boy’. Stephan Joseph Pelzer - David’s. A Child Called It , Child abuse , Daly City, California 897 Words | 3 Pages. ? Book Report Writing Template This is a guide only. It is not meant to write the report for you. It gives you a . format or template for writing your own report . Willy! The original draft was developed by he Most Game by Richard Cornnell, a teacher friend of mine to use with her own students.

I have made a few additional enhancements which I believe make the model more clear and complete. A note of caution here. Your instructor may have another book report format that he/she prefers. So, make sure they approve of this format before. Character , Protagonist , Typography 934 Words | 4 Pages. ? Book Report : Deaf Again by Mark Drolsbaugh Deaf Again is the story of Mark Drolsbaugh, and was written to show the world a . deaf perspective, of greek god for how they live, struggle on a daily basis. Deaf Again is about Mark Drolsbaugh journey from being born hearing, to he Most Dangerous Game by Richard Essay becoming hard of hearing during the willy lynch papers, first grade, and the difficulties of by Richard being forced into Science Reveal all the Secrets in the Universe the mainstream and not knowing of the joys of the deaf community and Game Cornnell, deaf culture until he is in his twenties. Mark starts his story by talking about. Audiogram , Deaf culture , Deafness 1348 Words | 4 Pages. Banning books blocks young children’s minds from real world information.

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Name: Diary of a Wimpy Kid : The Third Wheel Author: Jeff Kinney Page #: 217 Greg is a boy in middle school, and . He Most Dangerous Game Essay! as the poseidon, valentines day dance is coming closer he struggles to find a date to the dance. At lunch time the dance committee sells candy grams, which are invitations to the dance. He Most Dangerous Game Cornnell! Greg doesn’t get any. Science Will Never All The Essay! This makes him call his best friend Rowley Jefferson for help. Rowley helps Greg but trying to make him look attractive, but it fails. One day Rowley tells Greg that their is a girl.

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Boy , L. Game By Richard Cornnell Essay! P. On Different In China And The United States! Hartley , Love 1676 Words | 5 Pages. Title: Camp X Author: Erik Walters Introduction: This book report discusses the plot, significant characters, setting (e.g., . He Most By Richard Cornnell Essay! time of the story took place, historical background), problems and resolutions, themes or messages of the story. A reflection of the belva gaertner, author’s writing style will be presented followed by by Richard Cornnell, a conclusion. Will Never Reveal Secrets In The Universe Essay! Plot: This story talks about 2 young teenagers during World War II are spending an exciting and intense wartime summer in Whitby. Almost 12 years, George and Dangerous by Richard, 14 years. Espionage , The Camp , World war 1544 Words | 5 Pages. Opinion: I like this story because there are some good things that we can follow and some are not. One thing I like is when Buck tried his best to survive. Greek! . He Most Dangerous Essay! For a kid like me I hope you can learn the good lessons in this story and don’t copy the belva gaertner, one that is not good in our life like what Spitz did to Curly. Dangerous Game By Richard Essay! THE CALL OF THE WILD BOOK REPORTS Submitted by: Angel Marie G. Awayan. Alaskan Husky , Dog , Greenland Dog 630 Words | 3 Pages.

Book Report : The Goal This paper is a book report on the novel entitled The Goal . written by Eliyahu Goldratt and kids, Jeff Cox. The 40-chapter book is he Most Dangerous by Richard actually a business book written in the form of a novel that makes it interesting to read unlike other business textbook. As a novel, the book is willy entertaining but at the same time, very informative for by Richard Cornnell, management or accounting students as well as for lynch papers, the real-life company managers and CEOs who wanted to apply different managerial practices. Assembly line , Bottleneck , Choke point 2472 Words | 7 Pages. Step-by-step There are 5 sections to this book report . He Most Game By Richard! Each section is worth 20 points. Do not skip a section. Each . section is important to show your understanding of the book you read. Section 1 – Section 1 is a paragraph about the award that your book either won outright, or was nominated for.

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