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The History and Future of the Chalkboard. “Among the Greatest Benefactors of Mankind” A close look into the history of educational technology will reveal that an invention from over two hundred years ago remains arguably the most influential technological innovation of our time. It was Josiah F. Bumstead who first declared in his 1841 essay, The Blackboard in the Primary Schools, that the chalkboard is a groundbreaking technological invention (Krause, 2000). Nothings! Numerous scholars have agreed with Bumstead’s pronouncement citing in reference to Vampires Lemon the chalkboard that “the inventor or introducer of the system deserves to be ranked among the best contributors to nothings poem learning and science, if not among the greatest benefactors of mankind” (Krause, 2000, p.11; Ressler, 2004, p.71; Tyack Cuban, 1995, p.121). With the advent of compulsory schooling in the United Kingdom in the late eighteen hundreds and the significant increase in student population in problem of evil essay public schools, the British acknowledged a sudden need to adopt a unified education program. The chalkboard stood at the core of this new teaching culture.
This report will argue that the chalkboard gave rise to changed poem the standardization of public education, and its integration into English classrooms in the nineteenth century led to Vampires in the Lemon Grove Essay the widespread advancement of rote memorization as the dominant teaching pedagogy in the United Kingdom. The Invention of the Chalkboard. The chalkboard is widely believed to have been invented by a Scottish teacher James Pillans, in the nineteenth-century (About Blackboards, para. 7). Mr. Pillans “supposedly hung his students’ slates together on the wall, making a large ‘slate board’ to write up his geography lessons where the whole class could see them at once” (Wylie, 2012, pp. 259-260). The first documented case of the chalkboard however is found in America in 1801.
Mr. George Baron is credited as being the nothings changed first teacher to make use of a large black chalkboard to assist him with his instruction at West Point Military Academy (About Blackboards, para. 8). Regardless of where it was invented, either in maximus movie the United Kingdom or in the United States of America, the fact remains that the nothings chalkboard was created by teachers to enjambment used assist with teaching, and is an important educational technology. A Necessary Educational Technology. The Council on Education in England officially recognized the chalkboard as a classroom necessity in 1844. Wylie (2012) contends that this permitted the use of state funds to go toward purchasing the educational technology for the first time in history. Surprisingly, it took nearly thirty years to changed poem pass the 1870 Education Act that provided universal elementary education to all British children (“Key Dates in essay Education,” n.d.). As Krause (2000) contends, “from almost the nothings changed beginning, the chalkboard seems to have been a technology that was universally accepted, immediately adopted, and widely praised” (p.11).
History demonstrates that the chalkboard was adopted before universal education. This is partly because the chalkboard is an economic educational technology. Krause (2000) declares that chalkboards “are easy to operate devices that are cheap, low-maintenance, and long-lasting. For Dad! They are simple to use, flexible in application, and extremely reliable” (p.12). Nothings Changed Poem! Tyack and Cuban (1995) make reference to promissory a chalkboard salesman from 1841 who describes the chalkboard as “the MIRROR reflecting the changed workings, character and quality of the problem of evil essay individual mind” (p. Nothings Changed! 121). Many would agree with Krause’s proclamation that the chalkboard “was and remains an ingenious teaching tool and a significant contribution to the ‘technology’ of the classroom” (p.12). The Standardization of English Education.
The increase in student population that resulted from the 1870 Education Act in Britain created the need to standardize education. Krause (2000) proposes that the British are responsible for the Lancasterian method that was arguably “one of the first ‘systematic’ approaches to Vampires in the Lemon education” (p.10). This newly standardized approach was advertised throughout the poem country via teaching manuals, which were published in mass and as Wylie (2012) contends “promote pedagogy as largely universal” (p.261). The chalkboard, having been deemed a necessity, was aggressively promoted in these teaching manuals that spread the word of this new standardized approach to statement economics education. Krause declares “chalkboards … were an essential part of the Lancasterian method because [they] kept costs low by minimizing the use of paper, ink, pens and books, and because [they] facilitated group instruction by monitors and teachers” (p.10).
A closer look at two teaching manuals published in the late nineteenth century demonstrate that the chalkboard, also called the blackboard, was the “main-stay and sheet anchor of a lesson” (Livesey, 1881, p. Poem! 6). In How to Prepare Notes of Lessons: A Manual for Pupil Teachers and Students in Training Colleges , Taylor praises the chalkboard for its invaluable impact on teaching and case learning. Taylor writes that: The blackboard is always at hand, and changed poem blackboard drawing has advantages peculiar of itself. Promissory Estoppel Case! The teacher can draw to any suitable scale – he can construct his drawing before the class – he can simplify it by divesting it of all un-essentials , he can produce it at the moment, and in a manner calculated to insure close attention. Nothings Poem! We would earnestly encourage all young teachers to cultivate assiduously the why is used art of blackboard drawing. (1881, p. 29) With the advent of universal primary education, and the acquired need to standardize the British education system, teaching manuals were published and distributed throughout the country to nothings poem communicate the pedagogical change. The manuals were meant for teachers, they communicated the correct method to teach and to learn and always promoted very specifically how to enjambment use the chalkboard to achieve these means. Rote Memorization Becomes The Dominant Teaching Pedagogy. Teaching manuals produced in the late nineteenth century in England outlined in precise detail how a lesson was to be taught.
Wylie (2012) concurs that the “instructions portray the teacher as explainer, demonstrator and corrector. There is no active knowledge construction by students, only nothings changed, explanation followed by drill, with the teacher giving corrections” (p.261). The emphasis on rote memorization is demonstrated below in figure 1. In this lesson, Taylor (1881) demonstrates to the teacher the step-by-step process to teach the letters I, T, L and H. He leaves little to the imagination of the classroom teacher. The teaching manuals produced in the late nineteenth century included chalkboard instructions for every subject; some surprising examples include lessons on sound, listening to in the Essay music, and on nothings changed the topic of healthy exercise (Livesey, 1881). Write For Dad! These are lessons that would arguably be better taught through action, in a student-centered approach. Livesey (1881) emphasizes this in his teaching manual, Moffatt’s How to Prepare Notes on Lessons; he states that a science lesson should be about changed, discovery, and should be student-centered. Livesey goes on however to outline the exact script a teacher should say when teaching science as well as listing precisely what the teacher should write on the blackboard and when (pp. 22-25). Maximus Movie! Figure 2 is an example of changed poem, a lesson from 1881 that instructs the problem of evil essay teacher in a step-by-step fashion how to teach their students to read. As Wylie (2012) points out, “even reading, a deductive decoding skill that is rather different from memorising how to write letters, was taught through imitation and drill, with the blackboard as a demonstration space” (p.262). Nothings Changed Poem! Take notice of the lesson prefix that includes instructions on classroom setup.
Wylie (2012) contests that “the end goal of these [teaching] methods was memorisation, achieved through students’ repetition of corrected, acceptable imitation of the teacher’s model” (p.264). The teaching manuals produced in the late eighteen hundreds taught a teacher to maximus movie teach much like you teach a very young child to paint, by numbers . Wylie (2012) contests that these “manuals on nothings traditional subjects are written as commands and specific instructions …[and] thus teachers were meant to learn through imitation, just like their students” (p.270). The Future of the Chalkboard. The blackboard is an adaptable technology and extremely reliable. As Puryear (1999) defends, the chalkboard is why is enjambment used, inexpensive to produce, easily distributed, and portable. The chalkboard is nothings poem, easily mastered by anyone with basic literacy skills, so although it was introduced with the teacher centered rote memorization pedagogy at its core, it could just as easily be used to enhance education placing students in maximus movie the center.
Ressler (2004) contests that the chalkboard is a fundamental tool to facilitate learning because “ the learning process is about making connections ” (p.71) and a chalkboard permits the text to remain visible for the students. Ong (1982) may argue that because text on a chalkboard is permanent in a way that electronic text is poem, not, a student who learns from why is enjambment, a chalkboard is nothings changed poem, better suited to recall the text at a later date. Both Ong and Ressler would agree that “a chalkboard – especially a large one- facilitates the creation of such connections by allowing students to view, discuss, and process several related topics simultaneously ” (Ressler, 2004, p.71). Perhaps the promissory case chalkboard, and changed poem its twentieth century cousin, the digital whiteboard, will remain an educational technology for another two hundred years. In time, I predict, those who use the chalkboard to teach will learn to do so in a constructivist manner, moving further away from the used rote memorization pedagogy of our past. About blackboards – blackboard technology and chalkboard history advances. (2012). In Ergo In Demand online.
Retrieved from nothings changed, http://www.ergoindemand.com/about_chalkboards.htm. Avenia, T. (Artist). (2012). Chalkboard Presentation Title Card [Image file]. Avenia, T. (Artist). (2012). Chalkboard Word Art [Image file]. Avenia, T. (Producer). (2012, October 28). The history and future of the chalkboard [Video]. Video retrieved from http://www.youtube.com/watch?v=_XngtsmH9FUfeature=plcp. Chalk stick write on chalkboard [Audio Sound Effect]. (n.d.).
In freeSFX online. Retrieved from http://www.freesfx.co.uk/sfx/chalk. Key dates in education: Great Britain 1000-1899. (n.d.). In Educational Resources online. Retrieved from http://www.thepotteries.org/dates/education.htm. Krause, D. How To A Eulogy! A. (2000). “Among the greatest benefactors of mankind”: What the success of the chalkboard tells us about the future of computers in nothings changed poem the classroom.
The Journal of Midwest Modern Language Association: Computers and the Future of the Humanities, 33 (2), 6-16. Retrieved from http://www.jstor.org/stable/1315198. Livesey, T. J. (1881). Moffatt’s How To Prepare Notes on Lessons [Digitized by Google]. Statement! London: Maffat Paige. Retrieved from https://play.google.com/store/books/details?id=iCACAAAAQAAJhl=en. Ong, J. Nothings Changed! W. (1982). Orality and literacy: The Technologizing Of The Word. London: Methuen. Puryear, J. M. (1999, September). The economics of educational technology.
Tech KnowLogia, 46-49. Retrieved from http://www.techknowlogia.com/TKL_Articles/PDF/17.pdf. Ressler, S. J. (2004). Whither the chalkboard? Case for a low-tech tool in a high-tech world, Journal of Professional Issues in Engineering Education and Practice, 130 (2), 71-73. doi: 10.1061(ASCE)1052-3928(2004)130:2(71) Taylor, W. (1881). How To Prepare Notes Of Lessons: A Manual For Pupil Teachers And Students In Training Colleges [Digitized by in the Essay, Google]. Westminster: National Society’s Depository. Poem! Retrieved from https://play.google.com/store/books/details?id=uSECAAAAQAAJhl=en. Tyack, D., Cuban, L. (1995). Tinkering Towards Utopia: A Century Of Public School Reform . The United States of America: Harvard University Press.
Wylie, C. Positive! D. (2012). Teaching manuals and the blackboard: accessing historical classroom practices. Poem! History of Education: Journal of the History of enjambment, Education Society, 41 (2), 257-272. doi: 10.1080/0046760X.2011.584573. 4 Responses to The History and Future of the Chalkboard. Nothing in my mind is nothings, more closely associated with wrote learning than the chalkboard. I agree, but I honestly believe that it doesn’t have to be this way. Vampires Essay! Just because it was taught to teachers in this fashion, and because teachers then taught their students to memorize information in nothings changed poem the same way, doesn’t make it right. Ressler argues that the chalkboard is a tool to facilitate twenty-first century teaching, with a student-centred approach. He suggests that because the problem essay text remains in the students view for the entire lesson, the students can draw connections between the content. Changed! He reminds his readers that these connections is what teaching is about. #128578; I know the chalkboard has a bad rap…as someone in the class mentioned…”all that dust and a tool that becomes useless when wet” but still I love the idea of a chalkboard.
When you see kids using it to create when they are small and even adult learners can benefit as you say, from having the words or images visually available for problem reference throughout the duration of the changed class – this is useful. I could live without the dust but I’d still use a chalkboard when the learning afforded it. (-: Great job on the intro too. Did you use prezi? I did use prezi for the introduction.
Thanks for the positive feedback.
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50 Inspiring Resume Designs: And What You Can Learn From Them. Your resume or CV may be one of the most important projects you ever design. It can make or break job applications, open doors to new careers, make a great (or dismal) first impression. When you send out your resume, you’re really sending out a piece of yourself. So make sure it’s representing you to your best advantage.
Just like how you dress your best for an interview, it’s important to nothings poem, give your resume the same treatment — to make sure it’s polished and presentable. The 50 resume designs below span a wide range of styles, from strictly businesslike to ultra creative — browse through them to get some ideas for problem of evil essay, updating your own resume. Designing your own is easy with our wide collection of beautiful resume templates. Click the image to nothings changed poem, see more resume templates. Starting off your resume strong with a bold header, like in this design by Shed Labs for for dad, Loft Resumes, draws attention to your name and makes it more memorable. You can also include a few keywords or descriptors under your name that sum up who you are as a candidate. This chessboard-style layout is certainly striking, giving each category its own distinct space. But Mikha Makhoul’s resume is still somewhat subdued thanks to nothings changed poem, the simple black-and-white color scheme; it doesn’t sacrifice professionalism for visual interest.
Some well-placed shadows can make your resume pop, literally — giving it a 3D appearance and creating the illusion of Vampires in the Essay depth. Errol Veloso explains how he chose the nothings poem, colors of his design purposefully: blue to symbolize his creative side and red to symbolize his analytic side. Positive Statement. Try using shapes and frames for emphasis. You can experiment with geometric shapes (circles, squares, rectangles), ribbons, or solid or dashed lines. Here, Michael Long frames his name and his role to help them stand out. A cohesive color scheme of cool blues and minty hues gives this information-packed, infographic-style resume by Joseph Acena a visual theme and an orderly, coordinated look. Using a horizontal orientation (instead of the changed poem, traditional vertical format) immediately gives your resume an Vampires in the Lemon Grove Essay, edge in nothings poem terms of attracting attention.
Other strong points of this design by how to write a eulogy Justin Schueler include a balanced, un-crowded layout and plenty of poem negative space. There seems to be a trend, at least in industries where you can take some risks with your resume, to forget the maximus movie, stuffy business lingo and changed poem show that there’s a human behind the piece of paper. Statement. Using a more conversational tone, as David Elgena has done with his “Hello, nice to meet you. Here’s a little about me” header at the top of changed this resume, may help you create rapport with the person who’s reviewing your application before you even meet them. This resume by Kyle Robertson features a custom crest with Kyle’s name and a catchy tagline. Promissory Estoppel. Creating a distinctive personal brand or style for yourself (such as a personal logo, a color scheme, a nice selection of nothings fonts, etc.) gives your work an Vampires in the, extra sheen of professionalism (and an nothings, opportunity to show off your abilities). Plus, once you put the work in, this “brand” is something you can use over and over again — on letterhead, business cards, social media profiles, you name it. For a unique take on traditional resume colors, try light text on a dark background, as Abdullah Al Mamun has done here. Just make sure that your font is promissory case weighty enough to be easily readable and not get lost against the background.
This clean resume by Patrick Rogan uses a bright splash of color and nothings changed whittles down the information to only the basics (skills and past positions). Icons in the skills section provide a visual reference that still complements the promissory case, simplistic style. Printing your resume on textured paper can give an impression of poem quality, craftsmanship, or luxury. If a color other than white seems inappropriate for your industry, try a white or cream-colored paper with a slight texture for an ultra-professional, upscale look. This example by S.N. Carter, printed on a recycled or kraft-style paper, gives the resume a custom, hand-printed feel. When applying for how to write a eulogy, a position where a more creative approach isn’t appropriate, it’s always a safe bet to opt for a simple, text-based resume with clean fonts. Here, Frank Schamhart has embellished his resume slightly with minimal use of an accent color and a small personal portrait. Changed Poem. If you’re after a job in the arts or some other highly visual industry, make your resume a mini portfolio like illustrator Rianti Hidayat has done here.
Bradley Brooks keeps his resume businesslike with a classic black-and-white color scheme, but livens things up with a modular layout and a personal logo. Infographic-style resumes have become popular, and Essay they can be effective when done well. But they should be more than a collection of nothings poem pretty pictures; the images should, at a glance, tell something about you and complement or enhance the text, like in problem this resume design by Rachel Winter. If you’re seeking work in nothings changed poem an industry where appearance is positive statement economics important, or the job has asked you to include a portrait, try integrating it into your resume. Changed. It doesn’t have to be the center of maximus movie attention, though — you can make it a bit more subtle by nothings using a small picture or placing it behind a colored screen, like in Egotype’s resume template.
Mailing out some resumes? Make opening yours up a memorable experience, like Amber Van Mieghem has done with this clever folding resume. Maximus Movie. Wishing you could infuse a little creativity into changed poem, your plain, corporate resume? Try a monogram with your initials, like Bill Mawhinney has done for this resume template. Used. It adds a little style while still keeping the nothings poem, overall presentation very businesslike. You can use the same graphic on your cover letter to give your application a polished, pulled-together look.
If you have some creative leeway in write creating your resume, using a non-rectangular shape will be sure to attract attention, like John Mujica’s round resume does here. If you do format your resume in any unusual shape, just make sure all the text is nothings changed readable. You’ve only economics got one name. Make it memorable. If it’s unique, highlight it. Make it big and bold, like Fredrik Andresen did on his resume. Give the hiring manager something to zero in on.
Your font choices can change the whole character of your resume. For instance, the rounded fonts with soft edges that Louis Omari has used for his resume have a more casual, friendly feel than sharper, serif fonts might have. Changed. Need to show your qualifications on the run? Post your resume online and make it mobile-friendly, like Julien Renvoye has done. You can include your resume on your personal website or even post it to of evil, networking platforms like LinkedIn. Use blocks of nothings color and/or lines to separate different sections of your resume, give it structure, and make it easy to navigate visually. This template from Beautiful Resumes features vibrant colors, but you could just as easily get the maximus movie, same effect with a more subtle color scheme. If you’re going the infographic route, think of effective ways that you can use different types of graphs to represent your skills, experience, or background, like Martin Suster did here. Organizing your resume with columns, like this three-column layout Anton Yermolov used, keeps the information tidy, creates clear divisions between sections, and helps you keep everything sharply aligned. Changed Poem. Use a sidebar in your resume to call attention to why is used, extra (or extra important) information that you want to highlight. Here, Ola Hamdy used a colored sidebar to separate her personal and contact information from her educational and professional details.
Although this resume design is text-heavy, Gershom Charig mixes things up with a two-color scheme and a word cloud to creatively represent the breadth of his skills and nothings experience. Similar in function to the word cloud above, various sizes of circles represent Silviu Schiau’s proficiency in various areas, such as management and design. The size of the circles corresponds with his amount of experience — a fresh way to illustrate core competencies. Give the person looking at your resume an excuse to find out more about you. Including a link to your website or portfolio (or even a QR code, as Krysten Newby has done here) acts as a good prompt. If your job history includes working for used, big companies with recognizable logos, feature them on your resume. Tamas Leb has included space to do so on nothings changed this resume template, and it makes an statement economics, impressive statement, even at a glance.
For creative resumes, a theme can give you a starting point to nothings changed poem, build a one-of-a-kind design and think about innovative ways to present your information. Problem. Here, Peter Kisteman’s laboratory theme makes a strong visual statement and nothings poem gives his artistic background a scientific, experimental dimension. Putting your resume in a folder or other kind of holder gives you more space to showcase your experience and accomplishments, plus the extra tactile feature makes it memorable, as with this design from S1M. The vertical timeline on Vampires Grove the outside offers an immediate visual representation of the candidate’s career history. This traditional black, white, and changed poem gray design by positive statement Brice Seraphin brightens up quite nicely with some turquoise as an accent. This can be done with any color (and you may want to tone it down depending on nothings changed poem your industry), but vibrant hues have particular impact. Besides being another nice example of using an positive statement, accent color, this design by changed poem Adam Rozmus keeps things clean and case simple, showing that resumes don’t have to changed, be fancy to make a good impression. If competition is stiff, try standing out with a resume package that gives you some space to demonstrate your abilities, develop a personal brand, and positive statement economics include more information than the nothings, limited area of a one-page resume allows for. Here, Sabrae Precure uses a distinct color scheme and Grove Essay custom illustrations to stand out from the crowd. This resume by Gabriel Valdivia combines a traditional format (the typical positions, dates, and short descriptions) with pictorial elements that provide a more personal touch. As if to say that a normal paper resume just won’t cut it, Alison Root got clever with her resume presentation, which demonstrates that she thinks outside the box.
This sample resume from Rahul Chakraborty features bold typography and changed poem bright colors for a high-impact look that will make people take notice. Of Evil. There may be times when it’s ok to let your sense of humor shine through in your resume; it makes you more relatable, more likable. For instance, check out the pronunciation guide Nick Iannuccilli provided for his difficult last name. Using a border is a good way to nothings changed, add a little bit of problem essay color to your resume, as Evelien Callens has done here, without worrying about looking unprofessional. Stylistically, this design is a good compromise between customary and nothings more creative resumes. Positive. The two-color, mostly traditional layout uses graphic elements sparingly but purposefully. As a nice touch, Dan Hernandez has branded his cover letter with the same style, which is a smart idea if your job application involves submitting multiple documents. Sometimes you have to do what you can to get noticed.
For an changed, illustrator like Lucia Paul, hand-drawing her resume is case both appropriate for her industry and gives her a standout way to display her skills. Big, bold typography, a high-contrast color scheme, and a well-organized presentation all combine to make sure Joao Andrade’s resume gets looked at. No long-winded explanations of job roles here. Just the essentials — enough to get someone interested in nothings changed poem wanting to why is enjambment, know more about poem Gianina Santiago and her background. Clean, sans-serif fonts, relatively little text, and lots of statement economics white space give Maxat Malbekov’s resume a sleek look that’s easy to achieve if you condense your resume down to nothings changed, only the most relevant information. If you have a lot of information you need to fit on maximus movie one page, take a tip from poem this design by Halle Rasco and use easy-to-read fonts and clear headings for each section. Need to keep your resume fairly conservative? A two-column layout with a businesslike blue-gray accent color gives this otherwise traditional resume from ResumeBaker some extra interest. Why Is Used. Syril Bobadilla’s illustrations are whimsical and kid-friendly, and her resume reflects that style.
Notice how she also created matching business cards for a cohesive personal brand. Even if your industry doesn’t allow as much creative expression as someone in the arts, you can express your personality in more subtle ways, like through font choices or an accent color. Resumes don’t always have to read from left to changed, right, top to bottom. You can play with the layout of your resume to make the best and most visually interesting use of the space you have available, like Milena Filipova has done here. Positive Economics. You can use a grid structure to organize your resume and make it easier to navigate, similarly to how Orlando Silva designed this template. If applicable, you might also try including some pieces from your portfolio right on the resume (so your abilities are on display at first glance). As you can see from the changed, examples above, there are many approaches you can take to designing your resume. How To For Dad. But no matter what style or format you choose, there are a few things you want to nothings poem, make sure to positive economics, get right: Readable text Industry-appropriate style (if unsure, play it safe with a conservative design.) Updated and accurate information No spelling/grammar errors.
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essaycontest com In the summer of 2017, we partnered with one of Washington’s top foreign-policy outlets to bring college students’ voices into changed poem our nation’s foreign policy conversation and to take a small step toward restoring a healthy, balanced civic debate on the proper scale of our nation’s ambitions and actions abroad. We received a deluge of excellent submissions from young voices all across the country, all answering this question: “What benefits could a more restrained, careful foreign policy strategy offer to the United States?” First prize went to Andrew Beddow , who is also president of our University of Michigan chapter. In his essay, Beddow calls for America to set a clear grand strategy that recognizes the world’s complexity and thus does not treat international problems as separate and Vampires in the Grove, readily fixable. Thus, “Intervention is occasionally justified, and the United States both improves the nothings condition of mankind and benefits itself through its continued participation in international humanitarian efforts and multilateral cooperation. A Eulogy For Dad! However, intervention must be guided by a grand strategy, one that explicitly enumerates the core interests of the United States and limits activity abroad to the securing of these interests.
American policymakers must consider whether or not foreign adventures, e.g. taking a moral stand against Russian annexation of nothings poem, Crimea, are sufficiently important all-things-considered to of evil essay outweigh the plausible negative consequences that will result from this action. In light of the dynamic nature of the international order, we must also recognize the inherent unpredictability of changed poem, intervention. Prudence, not beneficence, should be the guiding virtue of foreign policy.” One of our runners up was Enea Gjoza of the Harvard Kennedy School. Gjoza’s essay examines our current strategy of global primacy – of “seeking to shape the world through frequent military intervention and by maintaining and exercising overwhelming dominance over potential competitors.” He argues that this strategy has come at a high price in blood and how to for dad, treasure, and yet has failed to make America safer. And this strategy is a departure from America’s traditional posture of nothings poem, restraint. Under that approach, Gjoza writes, “As the other great powers of the day exhausted themselves in conflict against each other throughout the nineteenth and first half of the twentieth century, the United States developed its economy and society in relative peace, intervening substantially only to tip the balance in the World Wars. This allowed the how to write a eulogy for dad United States to emerge as an unmatched superpower after the wreckage of the Second World War, with an unscathed homeland and nothings, approximately half of the Grove world’s GDP. Today, however, the United States is on the other end of the spectrum, taking upon itself the changed burden of maintaining the global order while other nations enjoy the benefits of peace and commerce.”
Our other runner up was Matthew Petti of Columbia University. Petti challenges the conventional view in Washington that America needs to double down on support for one of why is enjambment, our most problematic allies, the nothings Kingdom of Saudi Arabia – to treat their enemies as our own and to accept their account of the problems in their region. Petti’s essay highlights the problem of evil essay failures of such an approach, calling the current U.S.-Saudi relationship “a valuable case study of allied nations’ sometimes detrimental effect on U.S. foreign policy.” Thus, he writes, “U.S. support has essentially shielded Saudi Arabia from the negative effects of its campaign, removing incentives the kingdom has to restrain its own actions. From the beginning of Saudi Arabia’s intervention in Yemen, the Obama administration supported the Saudi-led coalition with mid-air refueling and nothings changed, advanced munitions. This aid hasn’t quite made up for poor military leadership, but it has passed the maximus movie mounting economic costs onto a foreign guarantor, allowing Saudi forces to poem maintain their technological edge despite a budget crisis in the kingdom. Consequently, American calls for a political solution have fallen on deaf ears; as the Trump administration considers removing some restrictions on maximus movie support to the Saudi-led coalition, Riyadh will only nothings changed be encouraged to pursue the disastrous status quo.” He adds that the war has enabled Al Qaeda in the Arabian Peninsula, one of the most dangerous branches of the problem terrorist group, to take advantage of the chaos, meaning that “while attempting to please a U.S. ally, America is essentially undermining its own domestic security, giving a geographic base to the people responsible for the USS Cole bombing and the Charlie Hebdo shooting.” We received many other excellent submissions that highlight the growing number of talented young leaders across the political spectrum who are eager to bring prudence and restraint back into our foreign policy.
We at the Society are here to help them. Below is the nothings changed original prompt for statement, the essay contest, along with rules for changed, submission. It’s clear that the foreign policy conversation here inside the Beltway is too narrow. No matter what the write a eulogy question is, the answer always seems to be that the United States needs to do more – even after fifteen years of war, even with massive national-security expenditures, and even with our already-huge network of changed, alliance commitments and overseas bases. We need your voice to help change the conversation. Maximus Movie! That’s why we’re partnering with The National Interest – one of Washington’s most important foreign policy magazines – to launch a new essay contest for college students. The winners will run in TNI, meaning they’ll be read by many of those who make the decisions and changed poem, shape the discussions that set our country’s course in promissory, the world. And by nothings changed appearing in such a respected forum, you’ll help make a name for yourself as a thoughtful, professional voice in international affairs. It’s a tremendous opportunity to restore balance to enjambment the discourse in nothings poem, DC – and to build your own personal brand. Moreover, winners will receive a hefty cash prize, and the first twenty submissions will receive a free subscription to problem of evil TNI. Undergraduate, graduate, and doctoral students who will be attending institutions in the United States in the Fall 2017 semester are welcome to nothings poem participate.
The winning essays will run on TNI’s website and be promoted on social media by both TNI and JQA. Prizes are as follows: • First prize: $1000, essay featured on enjambment TNI, two year subscription to TNI. • Runner up (two): $250, essay featured on TNI, one year subscription to changed poem TNI. Additionally, the first twenty submissions will receive a free one-year subscription to the National Interest . Submissions shall answer the following question: What benefits could a more restrained, careful foreign policy strategy offer to the United States? Submissions shall be between 1000 and 1500 words, and are due by 11:59pm Eastern Time on a eulogy Sunday, June 18, 2017, by nothings following the instructions at this link. Sources should be hyperlinked, rather than footnoted, when possible. Complete rules follow: Student Foreign Policy Essay CONTEST RULES. 1. SPONSOR: The sponsor of the Student Foreign Policy Essay Contest (the “Contest”) is the John Quincy Adams Society. (the “Sponsor”). 2. ELIGIBILITY: Contest entrants must be legal residents of the fifty (50) United States and the District of Columbia aged 18 years or older, except where prohibited.
Employees, officers, and directors of the Vampires in the Lemon Grove Sponsor, and its subsidiaries, affiliates, and divisions (“Related Entities”) and their immediate families (parents, children, siblings and poem, their spouses) and household members (whether or not related) of problem of evil, each are not eligible to enter. Anyone serving as a contest judge is ineligible for the Contest. The Contest is void outside the fifty (50) United States, the District of Columbia and where prohibited and restricted by any federal, state, or local law, rule, or regulation (“Law”). The Contest is subject to all Law. 3. Changed Poem! HOW TO ENTER: The Contest begins on April 26, 2017 at statement, 12:00PM ET and ends at 11:59PM ET, Sunday, June 18, 2017 (the “Contest Period”).
To be eligible for the Contest, you must: • Before the end of the Contest Period, go to the Contest entry page at this link, and submit an essay between 1000 and 1500 words in length on the topic of nothings changed poem, “the benefits of a more restrained, careful foreign policy for the United States.” To be eligible to submit a Contest entry, you must be enrolled as of the fall of 2017 in an accredited postsecondary institution or program listed in the U.S. Department of Education’s most recent database (http://ope.ed.gov/accreditation/GetDownLoadFile.aspx). No person may submit more than one Contest entry. Attempting to maximus movie submit multiple Contest entries will result in your disqualification from the Contest. Your participation in the Contest is optional and at changed, your sole and estoppel, absolute discretion. 4. PROHIBITED CONTENT: By entering the changed poem Contest you agree not to create or submit a Contest entry that: • Infringes on Vampires Lemon any patent, trademark, trade secret, copyright, or other proprietary or property rights of any party; • May be deemed, within the meaning of Law, to be electioneering communications, intervention in a political or electoral campaign, or lobbying; • Is unlawful, threatening, harassing, abusive, obscene, vulgar, harmful, tortious, defamatory, libelous, false, invasive of another’s privacy, hateful racially, ethnically, or otherwise, or in any other way objectionable; • You do not have the legal or contractual right to changed poem make available pursuant to any Law, or under any contractual or fiduciary relationship (such as inside information, proprietary information, and confidential information, learned or disclosed as part of employment relationships or under nondisclosure agreements); • Harms minors in any way; or. • Violates any Law, intentionally or unintentionally.
The Sponsor reserves the why is enjambment right to disqualify any and all Contest entries that violate the above conditions, or for nothings changed poem, any other reason at any time without prior notice. 5. JUDGING AND SELECTION OF PRIZE WINNERS: All contest entries will be judged based on case the following criteria: • Originality in nothings, thought (40%) • Demonstrated understanding of foreign policy (40%) • Composition and style (20%) 6. PRIZES : On or about June 23, 2017, three prize winners will be announced (the “Prize Winners”). In The Lemon Grove! The Prize Winners shall receive the following (the “Prize(s)”): • First Prize – $1000.00, two years’ subscription to The National Interest. ?• Runners Up (2) – $250.00, one year subscription to The National Interest. All Prizes will be paid in nothings changed, United States Dollars. The approximate retail value of the Prizes are as follows: First Prize – $1039.95; Runner Up – $279.95.
The winning essays will be published on The National Interest ’s website. 7. PRIZE RESTRICTIONS: The specifics of all elements of the Prizes stated in these Contest rules shall be determined by enjambment Sponsor in its sole and absolute discretion. If an alternate prize is poem substituted and awarded: any portion of the alternate prize not used by any Prize Winner is Vampires in the forfeited and no substitute will be offered or permitted; all elements of the Prize being offered are: (a) provided “as is” with no warranty or guarantee either express or implied by Sponsor; (b) without warranty other than that offered by servicers or as required by Law; (c) provided without making the Sponsor responsible or liable for any warranty, representation, or guarantee, express or implied, in fact or in law, relative to the Prize, including but not limited to nothings changed their quality or fitness for a particular purpose; and (d) if applicable, not transferable or redeemable for write a eulogy for dad, cash and may not be extended, transferred or substituted, except that the Sponsor may substitute a prize of nothings changed, equal or greater value when necessary (not to exceed $1039.95 for the First Prize or $279.95 for the Runner Up), as determined in its sole and absolute discretion (any such changes will be announced at the sole and absolute discretion of the Sponsor). Each Prize Winner assumes sole responsibility for all costs associated with any elements of the Prize not explicitly included as part of the Prize, including without limitation, all federal, state and local taxes (if any), fees, surcharges, or other expenses. Other restrictions may apply. In compliance with United States Internal Revenue Service regulations, the Sponsor will send a Form 1099-MISC to maximus movie any Prize Winner, which requires disclosure to the Sponsor of the Prize Winner’s Social Security number. Prize Winners remain solely responsible for paying all federal and other taxes in accordance with Laws that apply in nothings, the Prize Winner’s state of how to, residence.
8. PRIZE WINNER NOTIFICATION: The Prize Winners will be announced by a means reasonably calculated by nothings poem the Sponsor to reach all Contest entrants. Following the announcement of the Prize Winners, the individuals selected as the Prize Winners will be notified via email or telephone within three days from the date of maximus movie, selection by the Sponsor based on the information provided by that person on his or her entry form. The Prize Winners will be required to nothings changed complete, sign, and return an Affidavit of Eligibility, Liability Release, and Publicity Release (the “Winners Affidavit”) within fourteen days of the promissory estoppel date the Sponsor provides a Prize Winner the notification email or call. If a Prize Winner fails to satisfy any eligibility requirements, declines to accept the Prize, or is ineligible for any other reason, the Prize Winner may be disqualified and an alternate winner may be selected at the sole and absolute discretion of the Sponsor. Noncompliance with any of these Contest rules may result in disqualification.
The Sponsor is not responsible for fraudulent communications made by third parties to Contest entrants or the Prize Winners. A Prize Winner is not an official winner until the Prize Winner returns the nothings Winner’s Affidavit and case, eligibility has otherwise been formally verified by poem the Sponsor. 9. OWNERSHIP OF YOUR CONTEST ENTRY : By submitting your Contest entry you hereby relinquish, grant, transfer, assign, and deliver to the Sponsor all right, title, and interest of every kind and nature whatsoever that you have in the essay you write as part of your Contest entry, including the copyright and all other intellectual property rights thereto. As a condition of receiving your prize, you may be required to execute additional documentation such as copyright assignments to sponsor of your Contest Essay. Statement! In addition, you hereby irrevocably assign to the Sponsor all causes of nothings poem, action, including accrued, existing, and future causes of action, arising out of or related to the rights, including copyrights, in a eulogy for dad, and to changed the essay you write as part of your Contest entry. 10. Vampires In The Grove Essay! DISPUTES: By participating, entrants release Sponsor and its parent companies, affiliates, subsidiaries, and their members, directors, officers, employees, and nothings, agents from any and how to for dad, all liability with respect to all aspects of the Contest including all losses, damage or bodily injury resulting from participation in this Contest, and poem, the possession, acceptance, or misuse of prizes. By entering the promissory estoppel Contest, you agree that (a) any and changed, all disputes, claims, and causes of action arising out of or connected to the Contest or the Prize, shall be resolved individually, without resort to any form of class action; (b) any and all claims, judgments and of evil essay, awards shall be limited to actual out-of-pocket costs incurred, including costs associated with entering the Contest but in no event attorneys’ fees; and nothings changed, (c) under no circumstances will any entrant be permitted to obtain any award for, and of evil, you hereby waive all rights to, any claim; punitive, incidental, or consequential damages; and any and all rights to have damages multiplied or otherwise increased and any other damages, other than for actual out-of-pocket expenses. All issues and questions concerning the construction, validity, interpretation, and enforceability of these Contest rules, or the rights and obligations of the entrants and Sponsor in connection with the Contest, shall be governed by nothings and construed in accordance with the promissory estoppel case laws of Virginia without giving effect to any choice of law or conflict of law rules or provisions that would cause the application of the nothings changed laws of any jurisdiction other than the Commonwealth of Virginia. Any legal proceedings arising out of promissory estoppel, this Contest or relating to these Contest rules shall be instituted only in changed poem, the federal courts located in the Eastern District of a eulogy, Virginia, and the parties consent to jurisdiction therein with respect to any legal proceedings or disputes of whatever nature arising under or relating to these Contest rules. The invalidity or unenforceability of any provision of these Contest rules shall not affect the validity or enforceability of any other provision.
In the event that any provision is determined to be invalid or otherwise unenforceable or illegal, these Contest rules shall otherwise remain in nothings, effect and be construed in accordance with their terms as if the invalid or illegal provision were not contained in these Contest rules. 11. Maximus Movie! INTERNET: If for any reason this Contest is changed poem not capable of running as planned due to an infection by a computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other causes beyond the control of the Sponsor that corrupt or affect the administration, security, fairness, integrity, or proper conduct of this Contest, the Sponsor reserves the positive statement right at its sole and nothings, absolute discretion to statement cancel, terminate, modify, or suspend the changed Contest. The Sponsor assumes no responsibility for any error, omission, interruption, deletion, defect, delay in operation or transmission, communications line failure, or theft, destruction, or unauthorized access to positive economics or alteration of entries. The Sponsor is changed poem not responsible for any problems or technical malfunctions of any telephone network or telephone lines, computer online systems, servers, or providers, computer equipment, software, failure of any email or entry to be received by the Sponsor due to technical problems, human error or traffic congestion on the internet or at any website, or any combination thereof, including any injury or damage to your or any other person’s computer relating to promissory estoppel case or resulting from participating in this Contest or downloading any materials in this Contest. CAUTION: ANY ATTEMPT TO DELIBERATELY DAMAGE ANY WEBSITE OR UNDERMINE THE LEGITIMATE OPERATION OF THE CONTEST MAY BE A VIOLATION OF CRIMINAL AND CIVIL LAWS. Nothings Changed Poem! SHOULD SUCH AN ATTEMPT BE MADE, THE SPONSOR RESERVES THE RIGHT TO SEEK DAMAGES OR OTHER REMEDIES FROM ANY SUCH PERSON(S) RESPONSIBLE FOR THE ATTEMPT TO THE FULLEST EXTENT PERMITTED BY LAW. Uses of automated devices are not valid for entry.
Note: Section 2 was updated on 5/4/2017 to update the list of eligible locations.